Hey everyone! Thanks for stopping by. Today we’re taking a look between the the covers of the latest ‘gods’ book: Pathfinder Campaign Setting: Faiths of Golarion! Although I’ll be mentioning what’s in this book and talking about my favourite parts, this is not meant to replace the book itself. The opposite, in fact! It’s meant to let you know what’s inside so you can decide for yourself whether this is a book that will be of use to you. For me? Definitely! Curious what’s inside? Read on!
Featuring cover art by Igor Grechanyi that showcases the gods Gruhastha, Hei Feng, and Nivi Rhombodazzle, this soft cover book is 64 pages in length. Other contributing artists include Gislaine Avila, Emanuele Desiati, Vlada Hladkova, Sandra Posada, Luca Sotgiu, and Vicky Yarova. Contributing authors include Kate Baker, John Compton, Adam Daigle, Crystal Frasier, Ron Lundeen, Liane Merciel, Michael Sayre, and Owen K.C. Stephens.
Like the many god and faith themed books before it, this book takes an up close look at a variety of faiths, talking about the gods and goddesses, their faith, church, priests, worshippers, holy texts, holidays, aphorisms, planar allies, and so on. It also features information on their alignment, domains, subdomains, favoured weapons, centres of worship, paladin and anitpaladin codes (if there is one), obediences, and boons (usable by those who take the deific obedience feat, or take levels in the exalted, evangelist, or sentinel prestige classes from Inner Sea Gods). There’s plenty of awesome art in this book, with each faith discussed having four images: one of the deity, one of the holy symbol, one of a worshipper, and one action shot of the deity.
There are ten faiths discussed in this book. Each is a lesser detailed but very important faith. This includes a few racial faiths — the halfling goddess Chaldira Zuzaristan, the gnome goddess Nivi Rhombodazzle, the elf god Ketephys, and the dwarf god Magrim. It also includes information on deities from other regions of Golarion such as the Tien gods Hei Feng, Shizuru, and Tsukiyo, as well as the anadi goddess Grandmother Spider who is popular in the Shackles and Sodden Lands, the Vudrani god Gruhastha who is popular in Vudra, and the Razatlani goddess Kazutal who is popular in Arcadia. Each of these faiths is incredibly important to their respective cultures and I’m thrilled to see them get some of the attention they deserve. Information on the racial deities, especially, I feel was long overdue. Before sitting down to read this book I was most excited for further information on Ketephys, Shizuru, and Tsukiyo. All of the entries were great, but after reading I was most inspired to make worshippers of Grandmother Spider, Kazutal, and Tsukiyo.
So who, exactly, are these deities?
So glad you asked!
Chaldira Zuzaristan is a brash and reckless halfling demigoddess of battle, luck, and mischief. She fights against oppressors, tyrants, and injustice, trusting in her luck and companions to see her through. A bit of a thieving troublemaker, but not malicious, Chaldira is good friends with the goddess Desna, who shares her love of travel. One of my favourite parts of the article on Chaldira is her eccentric planar allies, particularly her herald The Button Fellow.
Grandmother Spider is a cunning goddess of twilight, illusions, family, and weaving. Created by the gods as a tool be used alongside her brother, Achaekek, Grandmother Spider was tasked with weaving the world and the destiny of the mortals in it. But she rebelled against the gods and wove a new destiny for herself, granting herself free will and divinity. She’s a trickster, teacher, and folk hero. I particularly enjoyed reading about her relationships with the other gods — she once stole Asmodeus’ keys and enjoys teasing her brother Achaekek. Who doesn’t want to irritate the assassin of the gods?! Haha. I also adore all the art in this section!
Gruhastha is the vudrani god of peace, understanding, and self-improvement. Once Irori’s nephew he sought to record his knowledge for the world. Upon completing his perfect book, the Azvadeva Pujila, he became the divine embodiment of that holy text. Now Gruhasta seeks to enlighten the world so that one day it will be so perfect it becomes one with Nirvana. Interesting!
Hei Feng is a wild and unpredictable tengu god who is very popular in Tian Xia. A moody god of the sea, storms, thunder, and wind, he is always accompanied by his four companions, the Counts of Lightning, Rain, Thunder, and Wind. Drunken, boisterous, and easily angered, Hei Feng is a dangerous deity. As one of the most popular Tian gods I’m happy to see he got some attention. Turned out Hei Feng is my son’s favourite god in the book.
Kazutal is a deity I didn’t know much about, but wow! She is awesome! Haha. Also known as Mother Jaguar, she’s a war goddess whose focus changed over the Age of Darkness, when community and togetherness became integral for survival. Now a goddess of war, family, togetherness, community, liberty, and safety, she promotes a love of your neighbours, family, and friends. This love should be spoken of plainly and without shame, for its these bonds of love that cause neighbours to have the courage to stand up and protect one another. It’s love that makes communities strong. Those who don’t show love of others are considered cowards. Which is awesome! I really enjoyed reading about her faith’s take on love, and the evolution of her religion. I also adore the art in this section! It’s amazing!
Kazutal, illustrated by Vlada Hladkova. Art courtesy of Paizo inc.
Kazutal Priest, illustrated by Vlada Hladkova. Art courtesy of Paizo Inc.
Ketephys is the calm, stoic elven god of hunting, the moon, and the forest. He’s a god of archery, and urges his followers to respect nature, replace what they take, and never waste. This is one of the gods I was most excited to see included in Faiths of Golarion, as the elven deities were among those created back when Pathfinder didn’t have it’s own rules, and I feel like I’ve been waiting forever for further details on them. There are some details, of course. A paragraph or two throughout the various Paizo products, but I wanted more. I would have been happy to see details on any of them, but I’m particularly pleased to see its Ketephys.
Magrim is another deity that’s been around since the beginning of Pathfinder but lacked much information. The dwarven god of death, fate, tradition, and the underworld, he’s fair, unflinching, and unwavering. Magrim considers Pharasma a respected elder, and is often tasked by her to repair damaged spirits that enter the Boneyard. I really enjoyed learning how Magrim fit alongside Pharasma, and his role in the dwarven afterlife.
Nivi Rhombodazzle is about as different as Magrim as you can get. This gnome gambler fled underground to escape her many angry creditors and ended up becoming the first of the svirfneblin after she traded a rare gem to Torag in exchange for divinity. Talk about a deal! Nivi’s an impulsive daredevil addicted to the thrill of a wager. She urges others to test their skill, push their luck, and experience the best life has to offer. And when luck turns against you and you’re in a lot of debt? Run, of course! Best of luck! Haha. She’s a tricky, thieving little thing whose faith is said to hold the key to staving off the Bleaching.
Shizuru is another of the gods I was most interested in reading about. This draconic Tien goddess is also known as the Empress of Heaven, and is the main deity of the Tien pantheon. A goddess of honour, swordplay, the sun, and ones ancestors, she’s incredibly popular among the people of Tian Xia and players of Pathfinder. I particularly enjoyed reading about her relationship with Tsukiyo, her lover who died and came back to life changed.
Which brings us to Tsukiyo, the final deity in Faiths of Golarion. Killed by his own jealous brother, Tsukiyo was the beloved of Shizuru. But his lover couldn’t accept his death and she ordered Qi Zhong, god of medicine and healing, to bring his back to life. It worked, but Tsukiyo came back changed. Now quiet, contemplative, and possessing an uncommon outlook, he is god of the moon, spirits, and outsiders. He teaches that no matter a person’s perceived flaws and oddities, all are a whole person deserving of respect. This applies to those society shuns, deems insane, are disabled, or those suffering from mental illness. I absolutely love what they did with Tsukiyo. Delightful from start to finish.
Tsukiyo, illustrated by Sandra Posada. Art courtesy of Paizo Inc.
Today we’re going to take a look at the two most recent Starfinder Society Scenarios that are currently available for purchase, and let you know we thought. Although you’ll find references to events in each that I liked or disliked, and comments about specific characters, these scenarios are not explored in detail. It’s not my intention to spoil the events in these scenarios, or give summaries and full reviews, but to share my opinions and provide recommendations. That said, if you want to avoid even minor spoilers I recommend you check out a different article. Whether you intend to use them in home games of the Starfinder Roleplaying Game, sanctioned scenarios for use with the Starfinder Society Organized Play, or just want to read a nifty new adventure, we’ve got you covered! So sit back, and get ready to explore the Pact Worlds!
Starfinder Society Scenario #1-36: Enter the Ashen Asteroid is a Tier 1-4 adventure written by Larry Wilhelm. It takes place on Sledgehammer, a mining facility and exploration vessel owned by Ulrikka Clanholdings, a dwarven mining consortium that may be familiar to PCs who’ve played Starfinder Society Scenario#1-12: Ashes of Discovery. From there the PCs enter Asteroid AA-126D, an asteroid in the Diaspora that contains duergar ruins dating back to the time of the Gap — and marked with the unholy symbol of Droskar. There you will explore the the site and collect any objects of archaeological importance. This does not feature any tags and does not contribute to the ongoing Scoured Stars storyline. PCs who are dwarves, speak dwarven, or have the Contractor’s Respect (Ulrikka Clanholdings) boon from Starfinder Society Scenario #1-12: Ashes of Discovery will find they have an edge in this scenario. Enter the Ashen Asteroid does not feature starship combat. It includes two custom half-page maps (which are beautifully detailed!) and Pathfinder Flip-Mat: Elemental Planes. It makes use of the Starfinder Core Rulebook, Starfinder Armory, and Alien Archive 2.Although this scenario doesn’t feature any recurring characters it does introduce a new NPC of importance, dwarven Venture-Captain Thromkendal. In addition, five other NPCs you’ll have a chance to influence are introduced, most of which (but not all!) are dwarves.
At it’s core, Enter the Ashen Asteroid is a dungeon delve. PCs enter an enclosed location, look around, unearth some secrets, and fight some bad guys. It’s a type of adventure that’s underrepresented in Starfinder, so I think it’s a nice change of pace. Happily this delve is packed full of opportunities to use a wide variety of skill checks, has interesting environmental hazards, and features a few obstacles in it that can be overcome in multiple ways. There’s some complex devices and backstory to untangle, which keeps the dungeon interesting, and plenty of important finds to collect. I particularly enjoyed the interconnectivity of the dungeon. Each room has ties to those around it, which is really nice to see. The battles in this scenario are challenging, particularly one against an old foe from Pathfinder whose new art looks amazing! At the end of the scenario PCs will have to report to some Ulrikka Clanholdings bigwigs and offer them a recommendation in regards to the fate of the asteroid. It should be noted that this is a complex adventure to run. There’s some subsystems at work here that new or inexperienced GMs could find confusing — luckily this is mitigated by a super handy player handout. One of the locations also has a complex obstacle some PCs might struggle with. Overall I really enjoyed this scenario. I give it four out of five stars.
Starfinder Society #1-37: Siege of Civility is a Tier 5-8 adventure written by Kalervo Oikarinen. It takes place on a fortress moon named the Eye of Gideron, that orbits a gas giant named Maelstrom’s Maw. These areas are located within the territory of the Gideron Authority, a mostly-hobgoblin militant space empire at war with the Marixah Republic, both of which are introduced in Starfinder Society #1-24: Siege of Enlightenment. Although the two scenarios are linked, playing them is order isn’t necessary. In fact, characters who haven’t played Siege of Enlightenment are likely to have a different outlook on the Gideron Authority than those who have, which can make for some fun roleplaying between the party members. I think it’s best to have a mix of PCs who have and haven’t played Siege of Enlightenment. Whatever the party composition, your PCs mission is to convince representatives of the Gideron Authority to lend the Starfinder Society their aid — the Wayfinders flagship Master of Stars needs a drift engine only the Gideron Authority can provide, and the Starfinder Society would like exploration rights to some of their archaeological sites. This scenario features the Faction (Wayfinders) tag and does not contain starship combat. It makes use of one half-page custom map and no flip-mats. It includes content from Starfinder Core Rulebook, Alien Archive, and Alien Archive 2. There are two recurring characters in this scenario: Fitch, leader of the Wayfinders Faction, and Ceobarn Zeizerer, a drow who first appeared in Starfinder Society Scenario #1-06: A Night in Nightarch. There are five other new NPCs from the Gideron Authority who are likely to be of further importance in the future. PCs who have the Victory Over Authority boon will need to slot it for this mission.
Overall, this is a really fun social scenario. There’s plenty of interesting NPCs to talk to and sway to your side. The social engagements are well planned out, and interspersed with opportunities for other skill checks and a really cool combat encounter. It think it’s going to be an absolute blast to play! This is a great scenario to crack out your diplomats, envoys, and other charismatic characters. PCs who prefer to pound face all day are better suited to other scenarios, but that doesn’t mean they won’t have a chance to shine. The Gideron Authority is an aggressive, military-based society that values strength and experience, so even PCs with a martial focus will find someone they get along with. Overall, I give this scenario four out of five stars. It’s one of my favourite influence-based Starfinder Scenarios.
Thanks for joining us today! Tune in later this week when we take a look at the newest Pathfinder Society Scenarios!
Starfinder Critical Hit Deck is the size and shape of a deck of playing cards. It retails for around $10.99 USD (or around $15 Canadian dollars). There’s an adorable little skittermander playing with a d20 on the box, with some product information on the back.
The cards inside are high quality and easy to read with a colour scheme matching the Starfinder Core Rulebook. There’s fifty-five cards inside. One contains product information, the open game license, and cites Owen K.C. Stephens as the author and Taylor Fischer as the illustrator. The second card lists the rules of using the Critical Hit Deck. And the other 53 cards are Critical hit Cards.
All of the cards follow a specific set of rules laid out on the rules card. All critical hits deal double damage unless the card specifies otherwise. Any effects listed as ‘Crit Effect’ can replace your weapons regular critical hit effect (if it has one) if you want it to, but you don’t get both. Any effects listed as ‘Bonus Effect’ apply in addition to the critical hit effects of your weapons. There’s some other simple rules for DCs, scaling, and so on, but they’re all easy to get a handle on.
You’ll also need to decide ahead of time how to use the Critical Hit Deck. That is to say, when you use it. For players that’s simple. Every time you score a critical hit (a natural 20 on a d20 dice) you draw a card and apply it’s effects. For GMs it works a little differently. The deck provides three options for the GM to select from. First, the GM draws a card whenever a major villain, creature, or NPC scores a critical hit. Second, drawing a critical hit card is a special ability that NPCs can take, and the GM selects which NPCs have it. And third, the GM draws a card every time a villain, creature, or NPC scores a critical hit. Personally, my family uses it for all PC critical hits and for major villain, creature, and NPC critical hits, but I like that there’s a variety of ways to integrate this deck into your game.
When you score a critical hit you draw a card. Each card has four different critical hit effects. One for energy attacks, one for kinetic attacks, and one for spell attacks. The fourth critical hit effect is an ‘extreme blow’ and lists a single specific damage type (such as electricity or slashing). You simply read the card, select the critical hit effect that matches your damage type, and carry out the effect listed. If you happen to deal the exact same type of damage as the extreme blow you use that critical effect instead. Easy.
Most importantly? It’s fun! My family loves pulling out a card and getting some extra effects. Particularly the extreme blows. It always ends in laughter. Of course, they’re not so thrilled when an enemy does it, but hey, that’s the way the dice land. Haha.
Some of our favourite effects include blast back (energy), lodged in the bone (kinetic), shrapnel by the bone (kinetic), blood magic (spell), vampiric magic (spell), disintegrate (extreme spell), it’s a gusher (extreme melee), mega-smash (extreme bludgeoning), punctured lung (extreme piercing), sound of victory (extreme sonic), severed spine (extreme slashing), and disarmed (literally!)(extreme slashing).
Got a favourite critical hit card? Let us know in the comments!
Against the Aeon Throne is a shorter campaign than most. Typically six books in length, this Adventure Path is only three. It’s a great change of pace that will allow the folks at Starfinder to tell shorter, more personal stories. In addition, this three part length makes it easier to purchase and play through an entire adventure path. It’s awesome for gift giving and the budget conscious! Six books is a huge investment, but three? Well, that’s a lot more manageable for those of us without much extra cash laying around. On the other hand, with the three book format I feel like I blinked and the whole adventure path was over. I didn’t get my hands on the first book until the third came out and I missed the Signal of Screams Adventure Path completely. In general, it’s both easier to collect and easier to miss. Although I enjoy the three book format, I also enjoy the six book format, so I hope they continue to rotate between the campaign lengths.
So what exactly is Against the Aeon Throne: Escape from the Prison Moon all about? In short, the PCs defeated an Azlanti military force that had annexed the small colony of Madelon’s Landing on the planet of Nakondis. But saving the fledgeling colony is just the beginning. The PCs have discovered that an experimental starship engine and their friend, the android Cedona, were already transported off of Nakondis and back to the Azlanti Star Empire. Determined to rescue Cedona and retrieve the starship drive the PCs travel to the Azlanti Star Empire and attempt to rescue Cedona from the prison moon she’s being held on. Exciting stuff!
Now, let me take a moment to be clear. The Azlanti Star Empire is a pack of giant, pompous, jerks. They’re great villains for the PCs to clash with, but an overwhelming opponent. This adventure path does not send your PCs off to take down the entire Azlanti Star Empire. It’s much smaller in scale than that. And frankly? I love it. It lends a sense of suspense to the series and makes it feel like you’re playing real people in a living breathing world universe doing what they can, rather than heroes so powerful they change the whole world universe. It’s a wonderful change of pace and scope. It’s got a very Firefly / Star Wars feel to it.
But, before we get into that too much, let’s take a look at the book itself. Starfinder Adventure Path 8: Escape from Prison Moon (Against the Aeon Throne 2 of 3) is a softcover adventure written by Eleanor Ferron that is 63 pages in length. It’s intended to take players from level three to level five. The adventure itself is around 35 pages long, and split into three main parts: A Distant Call, in which the players travel to the Azlanti Star Empire; Outpost Zed, in which the players explore a space station and plan their caper; and Jailbreak, in which the players infiltrate the Prison Moon to free Cedona. After the adventure there’s an eight page primer on the Azlanti Star Empire and an eight page primer on the non-human races of the Azlanti Star Empire. There’s also seven new creatures in the Alien Archive, and a short Codex of Worlds article on Outpost Zed. Lastly, the inside front and back covers feature information and a layout for a tier 3 starship: the Vanguard Parapet.
My favourite parts of this book are the large number of new player races (there’s six of them), the incredibly varied and quirky NPCs (Glest, Half-Red, Xaarb, and Talmrin are all great fun), and how free-form the locations are. Yes, you have to go to ‘A’ place, and accomplish ‘B’ goal, then go to ‘C’ place, and accomplish ‘D’ goal, but how you go about achieving your goals in ‘A’ and ‘C’ — the order and methods — are up to you. I really like that. Another minor thing I really enjoyed is that every enemy has a name. It sounds like a silly thing to enjoy in an adventure, but giving every villain a name allows for PCs to take approaches to dealing with them that amount to more than ‘attack’ and ‘loot.’ That’s incredibly important in this adventure, particularly in Part Three: Jailbreak.
Before we continue with a more in depth look at the book, let me point out: there will be SPOILERS.
You have been warned.
For starters, I love the look of this book. I like the colours and the layout. The text inside is easy to read and the colours are easy on the eyes. The cover art is wonderful. It showcases Cedona, an android, retired Steward, and ally of the PCs, as drawn by Anna Christenson. Behind her is an awesome image of Raia (the iconic lashunta technomancer) and Quig (the iconic ysoki mechanic) fighting off Azlanti prison guards.
The starship showcased on the inside covers is a Vanguard Parapet. This tier 3 medium transport is destined to be the final enemy the PCs face in this adventure. All in all it’s a well-built ship, that packs some serious firepower. I particularly like how it’s shield points are balanced, with barely any shields in the quadrants where they have the most guns, and the excess shields where they have the least guns. The art is nice and the ship layout is useful.
After that we hop right into the adventure itself. This adventure starts a bit slower than its predecessor. It begins with some necessary bookkeeping. The PCs likely have some loose ends and social encounters to wrap up in Madelon’s Landing after the conclusion of Reach of the Empire (Against the Aeon Throne 1 of 3) and they’ll need to upgrade their starship to tier 3. Afterwards they receive a recorded transmission from The Stewards which should help nudge them on their way and get the adventure going. For many groups this transmission is unnecessary. PCs should already know their goals for this one: retrieve the drive and rescue their friend. But, for those groups that need a little more guidance, this recording gets the job done quick and efficiently. The PCs will need to fly to the Azlanti Star Empire, get their bearings, and find their way to the Prison Moon Cedona is being held at. On the way they run into a witchwyrd merchant ship where they’ll have a chance to make friends, barter, and pick up some valuable intel. This social encounter also gives them a destination where they can learn some more about the Azlanti: Outpost Zed.
Which brings us to part two of the adventure: Outpost Zed. In this section PCs will need to travel to Outpost Zed, a rebellious little space station on the fringes of Azlanti space, figure out where Cedona was taken, and determine a way to properly disguise their ship. This is done primarily through interacting with the locals. Of course, not all the locals are friendly or willing to talk to obvious foreigners. Other hurdles the PCs will come up against are learning how to communicate with the locals, and figuring out Outpost Zed’s societal structure. As previously mentioned, this section of the adventure is a little free-form. There’s plenty of people to talk to, a section of the spaceport to explore, some quick battles (some of which can be avoided), and the PCs can go about their socializing in any order. However, they can’t really stray outside this area or get too off track. Still, it’s fun and enjoyable. Many of the NPCs they’re destined to meet are from races the PCs know nothing about. I particularly enjoyed Glest (a nervous, shifty screedreep), Half-Red (a tiny squid-like stellifera that floats in an orb of water), Xaarb (an agressive creature who’s mostly mouth), and Talmrin (a very useful NPC who looks like a weasel-person). This section does a great job of showcasing that your PCs are obvious outsiders, which is something they’ll need to address if they want to break their friends out of prison without fighting their way through the whole place. Overall, it’s a fun, flavourful place to explore, filled with plenty of memorable social encounters. Before you move on, the PCs will need to take what they’ve learned and concoct a plan to travelling to and infiltrating the Prison Moon Gulta, for rescuing Cedona, and for escaping alive. Good luck! Haha. In all seriousness, the pieces of the puzzle the PCs need should come relatively easily, and there’s an NPC around who can help with the planning in a major way if the PCs are in need of inspiration or assistance. The actual planning shouldn’t be too hard once they’ve got their ducks in a row.
Which brings us to part three: Jailbreak. This is by far the longest and most challenging section of the adventure. As the PCs approach Gulta, the prison moon, they should already know that non-Azlanti are typically held in Cell Block J. With their destination narrowed down considerably, they’ll need to disguise their ship, approach Gulta, and dock in Cell Block J. From there it’s more free-form. Depending upon what races the PCs are they’ll need disguises to manage any kind of infiltration mission. They’ll also need a way to speak Azlanti, someone who’s decent at lying, and someone who’s handy with a computer or at engineering. Then they’ll need to explore Cell Block J without tipping off the guards or raising an alarm. Plus there’s the security cameras and patrols to worry about. PCs who choose to go in guns blazing will instead need to be quick and get the security feeds shut down as soon as possible. Either way, once the PCs manage to get Cedona free (and hopefully some other prisoners as well), they’ll need to find a way to escape with her — a job much harder than getting in. Finally, before they escape they’ll need to contend with this volume’s big bad — an Azlanti woman named Iolastrila — and the Zandamant, a prison ship that pursues the PCs as they make their escape.
This section of the adventure is incredibly well presented, but not easy for GMs to run. It lays out the entirety of Cell Block J, what security measures are in place, labels every security camera, and shows where guards are located. Every guard has a name and some information about them — all useful information for PCs attempting an infiltration. There’s also notes on what things the PCs can do to raise or lower the alertness of guards, and cause alarms to sound. It describes what changes throughout the Cell Block in such circumstances, and what the various guards do. It’s really detailed, and really well thought out. Which is incredibly important! Your PCs are going to go in there and going to make a scene. GMs will need to keep track of what cameras are in operation, who’s suspicious of them, what the various guards are doing, and so on. It’s complex, and a lot to track. But pulling off this caper — both for the PCs and the GM — is a rewarding, exciting, experience. This place is dynamic, detailed, and reacts to the PCs. It will be different for every group and I really, really enjoyed it.
By the end of this chapter the PCs will have freed Cedona, made their escape from the Prison Moon, and retreated to Outpost Zed. But their mission’s not yet complete. The PCs and Cedona know they need to get back the experimental drive from the Azlanti before its too late.
Which brings us to the end of Escape the Prison Moon! But, that’s not the end of Against the Aeon Throne, or the book. Up next, as previously mentioned, is an incredibly useful primer on the Azlanti Star Empire entitled Empire of the Aeon Throne. This eight page article provides a short history of the Azlanti Star Empire, information on the solar systems under it’s control (there’s twelve of them!), and information on their culture, and society. Finally, it’s got some new gear, including five new aeon stones, four new magitech augmentations, and two new weapons.
The second primer is entitled Citizens of the Star Empire. Also eight pages in length, this section describes a whopping nineteen races common to the Azlanti Star Empire, most of which are new. Six of these races is also given much more information and full racial traits to allow you to play these races. Playable races include the brakim, gosclaw, neskinti, screedreep, stellifera, and vilderaros. I really enjoyed all of these races, but the brakim and screedreep turned out to be my favourites. The brakim are also featured in Starfinder Society Scenario #1-27: King Xeros of Star Azlant.
The Alien Archive is up next, which is always one of my favourite sections of an Adventure Path. It contains seven new creatures, four of which are featured in the adventure itself. The creatures include: Aeon Stone Network, a CR 7 construct made from a swarm of aeon stones; Radiation Drake, a CR 9 drake; Iztheptar, a CR 6 shellfish-like humanoid that’s featured in both Escape from the Prison Moon and Starfinder Society Scenario #1-27: King Xeros of Star Azlant; Ooheo, a tiny CR 1 vermin with a long harpoon-like tongue; Paralith, a CR 4 aberration they’ll meet on Outpost Zed; Void Palm, a CR 7 gravity controlling plant; and Xaarb, an aggressive CR 5 magical beast they’ll meet on Outpost Zed.
Finally, there’s a short, one page Codex of Worlds entry on the Outpost Zed. Despite its short length, the information contained therein is useful for this adventure, and a must read for any GMs who expect their PCs to do a bit more exploring of the space port than is scripted in this adventure.
Against the Aeon Throne: Part Three: The Rune Drive Gambit is written by Larry Wilhelm and intended for level five characters. In it, the PCs head to a secret Azlanti science station in an asteroid where the experimental starship drive is being held. They’ll need to get inside, infiltrate or fight their way to the Rune Drive, and learn what the heck it is. Then they’ll need to find a way to steal it. Along the way they’ll fight Aeon Guard soldiers, rescue captive scientists, and face off against the man responsible for sending troops to Nakondis in the first place! Awesome!
EDIT: You can read our review on it here: Review: Against the Aeon Throne: The Rune Drive Gambit.
I hope you enjoyed taking an in depth look at the second volume of Against the Aeon Throne much as I did!
Today we’re taking a look at a board game my kids recently got for their birthday: 5-Minute Dungeon! This real-time card game tasks up to five players with working together to escape a dungeon in under five minutes. Each dungeon consists of a randomized deck of cards that features obstacles, monsters, people, and events to overcome. At the end of each dungeon is a powerful boss to defeat. To beat the game you’ll need to triumph over five separate dungeons.
This game is frantic, fast-paced, and more than a little chaotic! Communication and teamwork are essential to your success. Player’s win or lose as a team. 5-Minute Dungeon is intended for players ages eight and up. Although a single dungeon takes five minutes, playing through a whole game takes about thirty to forty-five minutes, depending how many times you fail to escape a dungeon.
Players take on the role of one of ten characters by selecting a character board. Each board is colour-coded and double-sided, with one male and one female character per board. Every character board makes use of one of five matching decks, and every character has their own unique ability which can be triggered by discarding three cards from your hand. That means that up to five people can play at a time.
Characters include the blue sorceress and wizard, green huntress and ranger, purple ninja and thief, red barbarian and gladiator, and yellow paladin and valkyrie. Most of the special abilities of these characters fall into two types: those that help get someone in your group extra cards and those that automatically defeat a certain category of card. There’s also the wizard’s unique ability to stop time. We found that it was very helpful to play with the wizard and a character who can help the group draw cards, with the rest of the players taking on abilities that can auto-defeat either monsters, obstacles, or people. Once you’ve got your character picked out you place the matching deck on their board.
Next you set up the dungeon. Start by selecting a boss. There are five to choose from and each is numbered 1 though 5. You simply start at Boss #1: Baby Barbarian and work your way up to Boss #5: Dungeon Master. Each boss also has a number of cards written on it. Baby Barbarian has 20, The Grime Reaper has 25, Zola the Gorgon has 30, and so on. This is the number of dungeon cards you’ll randomly select and place on the boss board. Then you’ll pick out two challenge cards per player and shuffle them into the deck of dungeon cards. This is the boss’s dungeon. You simply place the deck of cards into the space marked with the dotted line and you’re ready to begin.
Player’s begin by drawing a number of cards. This number is variable and determined by how many people are playing the game. Chances are you’ll start with three or four cards. Then you start the five minute timer, flip over the first card in the dungeon deck, and get adventuring!
This game doesn’t come with a physical timer. Instead there’s a timer app you can download on your phone, tablet, and other handheld device. It’s a quick download and easy to use. You simply select a voice for the announcer (I love the ‘fearful’ voice, but my daughter’s a fan of ‘spiteful’) and click start. Sometimes you’ll need to pause the game (such as with the wizard’s ‘time stop’ ability) in which case you simply push pause. If you defeat the dungeon you click ‘We Won,’ if you lose you click ‘We Lost’ and if you run out of time you don’t need to click a thing. It’s an enjoyable, humorous little timer app and my kids really like it.
Boss #1: Baby Barbarian. He takes two swords, two arrows, and three dash to defeat, and his dungeon contains twenty cards.
Baby Barbarian and an example of Challenge and Dungeon Cards
There are four major categories of dungeon cards: event, person, monster, and obstacle. Events are the simplest to resolve. They each have a sentence explaining what you need to do, you do it, then you move on to the next card. Examples of events are ‘Sudden Illness’ which forces every player to discard their hand, or ‘Trap Door’ which forces all players to discard three cards. The rest of the cards — monster, obstacle, and person — have circular symbols on them. These symbols match the cards that you must play to defeat them. These cards can be played in any order and by any player. There are no turns. As soon as all the needed cards are played you have defeated the card, it gets moved to the discard pile, and you flip over the next dungeon card. Once all of the dungeon cards are defeated you will see the symbols needed to defeat the Boss.
This makes gameplay fast and chaotic, with players slapping down cards, shouting out what they’re playing, and calling out what’s still needed to defeat the card. It’s the sort of game where everyone feels a sense of urgency and excitement, and get’s a thrill of triumph when a card is defeated.
So what the heck are all these symbols?
There are five major symbols in the game, which are colour coded. These same symbols are seen across all the boss cards and all character decks. Called ‘Resources’ they include the red sword, yellow shield, green arrow, blue scroll, and purple jumping person (which my family always calls ‘sprint’ or ‘dash’ but is probably called ‘leap’). Every deck will have cards of these five types, although they will have them in different combinations. The red barbarian/gladiator deck will have a lot of red swords, for example, while the blue sorceress/wizard deck will have a lot of blue scrolls. In addition to these single symbol cards there’s double symbol cards — cards that have two red swords, two blue scrolls, and so on. These are seen in much lower quantities than the single symbol cards, and not every deck will have them in every kind. While the sorceress/wizard deck may have a few double scroll cards, the huntress/ranger deck won’t. One of the decks — the red barbarian/gladiator has special double symbol cards which consist of a red sword and a second other symbol.
The rest of the cards found in the character decks are black bordered and have a special ability written on them. The most common are abilities that let you auto-defeat a certain category of dungeon card. ‘Fireball’ defeats a monster, ‘Backstab’ defeats a person, and ‘Mighty Leap’ defeats an obstacle. These are super useful cards which can be found throughout all of the different coloured decks in differing quantities. While the sorceress/wizard has a lot of ‘Fireballs’ the ninja/thief has more ‘Mighty Leap’ and ‘Backstab’ cards. Finally, every colour deck has some unique black bordered ability cards. ‘Enrage’ from the red barbarian/gladiator deck lets you choose two players who may draw three cards each. ‘Divine Shield’ from the yellow paladin/valkyrie deck pauses time until someone plays a card and lets every player draw one card. ‘Magic Bomb’ from the blue sorceress/wizard deck counts as one of each type of resource. My personal favourite card? ‘Heal’ which lets you select a player who can put their entire discard pile back on top of their draw pile. Awesome!
As mentioned, every deck is different but equally useful. You’ll soon discover which play style you prefer and find a favourite, so I highly recommend trying each deck out. I love the yellow paladin/valkyrie deck best — particularly when played with the valkyrie character who can help her fellow players draw cards. The yellow deck has a lot of different healing cards, which I find can be incredibly helpful. My son, on the other hand, prefers the to play as the blue wizard. He’s a huge fan of the wizard’s ‘Time Stop’ ability — which is so helpful I’d go as far as to call it a necessity. He also loves the ‘Magic Bomb’ card which can only be found in the blue deck. Finally, my daughter prefers to play as the green huntress — solely because she loves the art. To each their own, I guess. Haha.
With all the decks in their places, cards in hand, and the timer started, play can begin. There’s a few other rules you need to know, but not many. Whenever you have less cards than your opening hand consisted of you can immediately draw cards to fill your hand back up to maximum. Discard piles do not get shuffled back into the draw pile once the draw pile is empty. This means that if your deck ever runs out you can no longer draw cards — unless someone plays a card that gives you cards from your discard pile or something similar.
Winning will take teamwork, speed, and luck. If you win you reshuffle your decks, select your character (you do not need to keep the same character throughout all the dungeons), set your boards back up, and build the dungeon for the next Boss. When everything’s ready you begin play again. If you defeat all five dungeons you win the game.
If you ever fail to defeat a dungeon you’re supposed to reset, going all the way back to the Baby Barbarian and his dungeon again, but my family didn’t like this rule. Instead we just replayed the dungeon we were on.
We’ve played this game quite a few times. Sometimes we finish it all the way through, and sometimes we only play a round or two. My kids and I really like it. They enjoy the teamwork aspect, and that they can always be playing. There’s no waiting for your turn or getting beat on by your friends. It’s fun and fast. It’s not a game for everyone, though. My husband doesn’t really like it. He’s a fan of strategic, complex games. Chances are whatever game we’re playing he’s going to be that player taking the longest turns. Unsurprisingly, the chaotic, real-time gameplay of 5-Minute Dungeon is not to his tastes. It’s also not the kind of game you can play anywhere. Players are going to get loud. Although you could bring to a party, family gathering, or friend’s house, it’s not the sort of thing you’re going to bring to play at the library, local coffee shop, laundromat, or airport. Finally, it’s not the sort of game you want to let the kids play late at night. Mine get antsy, excited, and leap and jump around. Not really a relaxing, winding-down sort of game.
The board after my kids and I defeated the final boss!
All in all, we really liked 5-Minute Dungeon — especially my son. It’s fast paced, easy to learn, and enjoyable. My only complaints? I wish the boss cards were double sided so you could choose which of the two to face off against and I wish there were more dungeon and challenge cards included in the game so the dungeons felt more varied. But, I suppose wanting more of a game isn’t much of a complaint. More like a wish list. Haha. 5-Minute Dungeon is a pretty easy game to find that currently retails for around $30 Canadian. Our copy belongs to my eight-year old son, and made an excellent gift. He loves it.
Today we’re taking an in depth look at the first book in the Tyrant’s Grasp Adventure Path! This survival horror campaign pits the players against the return of the Whispering Tyrant, the lich-king Tar-Baphon, who was defeated and sealed away long ago. Tyrant’s Grasp will be the final Pathfinder 1st Edition Adventure Path released, before the switch is made over to Pathfinder 2nd Edition in August. Intended to take characters from levels 1 to 17, Tyrant’s Grasp is six volumes long.
A wonderful Player’s Guide for Tyrant’s Grasp is available as a free download on Paizo’s website here. The Player’s Guide gives players a relatively spoiler-free way to properly prepare for and integrate their characters into the Tyrant’s Grasp Adventure Path. I highly recommend checking it out!
The Tyrant’s Grasp Adventure Path begins with Pathfinder Adventure Path: The Dead Roads (Tyrant’s Grasp 1 of 6). Written by Ron Lundeen, The Dead Roads is an adventure intended for first level characters, which should bring PCs up to level five by its conclusion. This adventure begins when the PCs awaken already defeated in the Boneyard, a land where the dead go to be judged. There’s just one problem… They’re not quite dead. Trapped inside a tomb that doesn’t belong to them, they’ll need to escape, figure out what happened to them, and find a way to return home. But, how could one possibly escape the land of the dead?
Let me start by saying that The Dead Roads — and the Tyrant’s Grasp Adventure Path — is not for everyone. Terrible tragedies will occur, and you won’t always be able to prevent them. These events are bound to have a lasting effect on your characters, so players should be prepared to consider and role-play the marks left by the trials you face. Often you’ll be in dire situations with limited resources, so players will need to be resourceful to survive. Plenty of the imagery and events in this adventure are dark, morbid, and sorrowful. It’s definitely a horror campaign — though not your typical horror. It’s suspenseful survival horror, with a good deal of body horror in the first book, as well. The Dead Roads contains imagery that is inappropriate for children and some adult gamers will even consider an image or two disturbing. It’s definitely not a campaign I could play with my family.
That said, I loved The Dead Roads. Absolutely, positively, adored it.
For starters, it looks great. From cover to cover it’s a wonderful, high quality book filled with nice maps, and beautiful, dark artwork. The cover depicts Mictena (a catrina psychopomp the PCs are destined to interact with) in the foreground. Behind her is an image of Seelah (the Iconic paladin) and Yoon (the iconic kineticist) battling ostovites. Both images are by Igor Grechanyi. There’s a lovely map of The Gravelands (Lastwall and parts of Ustalav) on the inside cover. There’s a ton of artwork throughout the book — of enemies, allies, and characters who could become either. I particularly enjoyed the art for Prince Uspid and Mictena. Colulus was the most disconcerting image in the book. If any image is going to bug a squeamish player it’ll be that one. There’s a few characters that I wish had art but don’t (which is expected! Art’s not cheap and there’s only so much space!). Ayuki, in particular, would have been nice to see, as well as the jitterbone creature in the bestiary. The maps, all drawn by Matthias Rothenaicher, are really nice. They look great, of course, but they’re also well thought out, executed, and each has a unique feel to it. I particularly enjoyed ‘Roslar’s Tomb’ and ‘Deathbower.’ I wish that the maps of the various Dead Roads locations were given a bit more space, though. Squishing three multi-floor maps for three different locations onto one page is good for page count, but makes some of the maps difficult to read. Part of the eastern end of the ‘Palace of Teeth’ is nearly lost in the creases of the binding, while the entrance to ‘Salishara’s Scriptorium’ is hidden in the creases. If both of those maps were a few grid squares further to the left that would have been less of a problem. Finally, flipping back and forth between the map page and the various locations depicted in it (which is spread out over 28 pages) is a bit irritating. Have a bookmark or post-it note handy and try not to tear your pages. Much to my surprise there was also two player handouts which represent puzzles the group comes across. I’m really glad they’re depicted instead of just described. They’re necessary and a really nice touch.
The Dead Roads starts with a bang (HA!) and doesn’t let up. The entire opening has the feel of an ominous, suspenseful mystery. Your PCs don’t know where they are, how they got there, or what’s going on. Their locations hide clues to both their situation and the history of wider events, which the PCs may or may not be able to uncover. In time they will discover the answers to some of their questions, just as they realize it’s tied to an even bigger mystery.
There’s a lot of wonderful social encounters and NPCs in this adventure. Number Three, Barple Stonebreaker, Prince Uspid, Queen Carnassial, Kishokish and his portrait, Ayuki, Salighara, Berthold, the wyrwoods, Mrs. Pedipalp, Aydie, Reedreaper, Mictena — there’s just so many great interactions in this adventure! Among them, three particularly stand out amongst the crowd: interacting with the townsfolk of Roslar’s Coffer is poignant and amazing; speaking with Barzahk the Passage; and — my personal favourite characters — Umble and Thoot! This pair of friendly psychopomps are the best!
Umble and Thoot
Many of the creatures and NPCs you come across don’t look friendly — which doesn’t mean they aren’t friendly. Of course, it doesn’t mean they are friendly, either. Which I love! Appearances have no bearing on what a creature acts like and I appreciate that this adventure used that so effectively. It’s bound to throw players for a bit of a loop and make them feel… off-kilter. Which is great!
There’s a lot of challenging encounters in this adventure and plenty of unique monsters to face off against. I particularly enjoyed that so many can end in ways other than violence. But, don’t let that last sentence lull you into a false sense of security! There’s a lot of combat encounters in this book that cannot be avoided.
And the ending! Oh, the ending! I love it! I cannot wait to get my hands on the next book in this Adventure Path! I have a feeling Eulogy for Roslar’s Coffer is going to be just as good.
And now it’s time for a warning:
We’ve got more to say about this adventure, but it’ll come with spoilers! Don’t want to read them? Skip on past this next section until you see the large words ‘SPOILERS OVER.’ Got it? Good! See you on the other side where we’ll talk about the extra content in this book!
The Dead Roads adventure is split into four major parts: Awake in Roslar’s Tomb, Among the Dead, Walking the Dead Roads, and Deathbower. One of these parts Walking the Dead Roads is particularly dense and is made up of three major locations: The Palace of Teeth, Nine-Eaves, and Salighara’s Scriptorium. All told The Dead Roads adventure is 52 pages in length with six pages afterwards dedicated to three NPCs: Mictena, Mrs. Pedipalp, and Reedreaper. All three of these are enemies the PCs will come across, but only one of them has to stay that way. The PCs have a chance to convince the other two to step aside without violence (although it’s extremely hard to accomplish for one of those two!).
Through this adventure the PCs will get to interact with psychopomps, a type of outsider native to the Boneyard who work to ensure that the processing of souls is done accurately and efficiently. Typically functioning as guides for the souls of the deceased, the psychopomps are confused over what to do about the mysterious PCs. Some will help them along their way (especially the delightful Umble and Thoot!) , and others with hinder them — particularly Mictena, a catrina psychopomp obsessed with putting the PCs spirits properly to rest. Through a good thorough death, of course! Psychopomps aren’t the only enemies and NPCs the players will interact with. The Boneyard is a huge realm, and there’s plenty of creatures living/stranded/invading there. Other major groups of enemies include fey, vermin, sakhil, and nightmarish beings from the Dimension of Dreams.
Fittingly, The Dead Roads begins with death. Lots of it. The entire town of Roslar’s Coffer has been destroyed in one terrifying instant. Including the PCs. I’ll leave the details out of this article, but suffice to say this will have a lasting effect on your players and their characters. Any family, friends, and companions — pets included — that lived in Roslar’s Coffer are dead. Although it might be tempting to warn some players about this in advance, that also will ruin some of the surprise and likely result in players purposely making no personal connections to the town of Roslar’s Coffer — which would be a mistake in my opinion. Every GM will need to judge their players accordingly, and perhaps provide them with some hints and warnings while they build their characters and backstories. In my opinion this event is handled incredibly well throughout this adventure, and I highly recommend allowing players to make a character with personal connections to Roslar’s Coffer. It adds so much to the story. However, it is important to inform PCs that if they have animal companions, mounts, or they are a wizard with a familiar, they will not have access to their pet at the start of the campaign. Player’s who have read the Tyrant’s Grasp Player’s Guide will already be aware of this, although they won’t (accurately) know why.
Happily, the player’s experience doesn’t begin with the death of Roslar’s Coffer. Instead, Part One: Awake in Roslar’s Tomb begins with the PCs waking up in a stone coffin. Literally entombed they need to push their way out of the stone box and into a cold, dark, mausoleum. It’s a great opening. Players and characters alike are bound to be curious what has happened and where they are. Players begin with any gear they had that could reasonably fit in a coffin with them. Any familiars who share a soul with your PCs (a shaman or witch familiar) will be in a coffin of their own, while all other companions are not present (as they are dead). Eidolons and phantoms can be summoned back normally, although all other familiars and companions will need to be replaced at a later time.
Soon, the PCs will discover they’re in someone else’s tomb — Ervin Roslar, Knight of Ozem and hero of the Shining Crusade. The same man that Roslar’s Coffer is named after, in fact. Interesting! As they navigate the tomb they’ll find strange creatures, animated bones (sort of…), a trapped spirit, and a tribe of mites. They’ll also discover that Ervin Roslar may have had a few secrets of his own, although it’s unlikely they’ll unravel his history completely. This section of the adventure is a suspenseful series of explorations, mysteries, tantalizing clues, and challenging combats. It’s going to be a ton of fun to both run and play.
Part Two: Among the Dead begins when the PCs exit Roslar’s Tomb to find themselves face to face with a pair of spooky looking (and absolutely delightful) psychopomps: Umble and Thoot! Seriously, they’re awesome. This quirky pair give the PCs some answers to their most pressing questions and explains that not only are the PCs dead and not dead at the same time — weird! — the rest of Roslar’s Coffer is well and truly dead. They ask the PCs to lend them a hand in convincing the spirits of the dead of Roslar’s Coffer that they are, in fact, dead. These poor fellows need a hand moving everyone on to the afterlife in a calm and orderly fashion! The PCs get to travel to a phantom version of Roslar’s Coffer where they interact with all the people in town — now dead. This is an amazing section of the adventure. Short and poignant, the GM has a chance to show the PCs what has happened to all their family and friends. They’ll need to convince loved ones to move on, and will have a chance to say goodbye. If they have any pets they’ll find them here as well. The adventure itself provides rules for interacting with these spirits, how to convince them to move on, and some tactics that will let them do it in a timely fashion — namely convincing the town leaders of their death. Some PCs will want to stay behind and die along with their family, others won’t have personal connections to the townsfolk, and others still will want to ‘save’ some of these spirits and attempt to return them back to life. There’s plenty of guidance in this book for handling PCs of every kind. After accepting their death the people of Roslar’s Coffer — even familial loved ones — want answers for what happened to them. The PCs are uniquely positioned to uncover this. And, of course, any spirits who can’t be convinced to move on (including those your PCs may want to bring back) will deteriorate in time until they become undead ghosts and other malevolent entities. Umble and Thoot can explain this to the group and ensure no PCs attempt anything so foolhardy. Also in this section the PCs are first introduced to the antagonist of this adventure, Mictena. Overall, this section of the book is among my very favourites. It’s exceptionally well handled and sure to be an emotional experience for players and characters alike. It’s a truly unique roleplaying opportunity. I’m not an overly emotional person, but I’m quite certain that if I was playing this with any character who had even a modest amount of family or friends in Roslar’s Coffer, under an even remotely talented GM, I would cry — in a good way! It has the potential to really tug at the heartstrings.
Part Three: Walking the Dead Roads begins after the PCs have helped the people of Roslar’s Coffer accept their death. Umble and Thoot, who are grateful and believe that since the PCs are only slightly dead they’re not truly dead at all, offer the PCs a way out of the Boneyard. The Dead Roads. They explain that this secret path is only ever trod by psychopomps and gatekeepers, the beings who watch over what amounts to traveller’s checkpoints along the road. Capable of leading anywhere, the PCs can use the Dead Roads to get home to Roslar’s Coffer (so they can figure out what’s happened) by taking a certain path. They’ll need to stop at the three checkpoints along the way and get stamped by that location’s master. Convincing them to grant the stamp should be the hardest part of the journey. Unbeknownst to Umble and Thoot, politics and turmoil have overtaken the three waystations, making each location more dangerous than expected. These locations may be visited in any order, although they are presented in order of difficulty (which is also how I recommend playing them).
The Palace of Teeth is a small castle ruled over Queen Carnassial and her court of tooth fairies. Not long ago her son, Prince Uspid, led a coup against her, and the two factions have been locked in a stalemate ever since. Although Queen Carnassial is the only one with the authority to stamp the PCs (at least until her death) it’s Prince Uspid the PCs are destined to meet first. They’ll need to navigate, bargain, and battle their way through bickering fey factions. They might even get to keep all their teeth…. This location is simultaneously goofy in a crazed sort of way and disconcerting. Although the Palace of Teeth was once a beautiful castle it’s undergone a rather morbid makeover since the fey moved in. The place is creepy and it’s denizens literally want to yank your teeth out. That can make bargaining… weird. Haha. I love the art for both the tooth fairy monarchs (particularly Prince Uspid!) and the stained glass angel. But, in my opinion, the creepiest encounter involves a pair of soulbound dolls in the midst of acting out a rather bloody play about dentistry. They attempt to make the PCs their next patients, using deep slumber and some particularly creepy statements. It’s awesome! Haha. The Palace of Teeth is my favourite location on in part three.
Nine-Eaves is a three storey manor owned by an old shoki psychopomp with a fondness for games and puzzles. Unfortunately, Kishokish’s manor has been invaded by sahkil and he’s now a prisoner in his own home. They PCs will need to free him if they want to get his stamp. Luckily they’re not without allies. An animated portrait created to pose riddles to visitors can lend the PCs a hand — if they can solve his puzzles! There are three puzzles total, and each one solved can earn the PCs information and advice. They’ll need to traverse the house as they seek answers, battling vermin, sahkil, and an unfettered phantom named Ayuki. I really enjoyed the puzzle aspects of this location.
Salighara’s Scriptorium was created by Salighara, a reclusive viduus psychopomp who is studying the Dimension of Dreams and oversees a crew of wyrwood scribes. Mictena attempted to convince Salighara to kill the PCs on her behalf, but was rebuffed. Mictena then offered the same deal to Salighara’s assistant, a plump woman named Mrs. Pedipalp (actually an aranea from a nightmarish section of the Dimension of Dreams). Happy to take the powerful psychopomp up on her offer, Mrs. Pedipalp has ousted Salighara from her own scriptorium and remade the building in her own image. Now a dark place of nightmares and horror, the PCs will need to set things right. This is definitely the most horror-themed location in The Dead Roads, with traps, haunts, and horrifying enemies. Colulus, a flayed ettercap and long-time minion of Mrs. Pedipalp is by far the most horrifying. But, even the Scriptorium is not without potential allies. PCs get to meet Salighara, some upset wyrwoods, and a ratling named Berthold. Mrs. Pedipalp herself is a great opponent — a capable liar, powerful spellcaster, and nightmarish foe all wrapped up in a kindly looking package. I particularly like her tactics. That said, it’s likely Colulus who will give parties the most trouble.
After receiving their stamps the PCs can finally traverse the rest of the Dead Roads and return to the land of the living — not! Mictena refuses to let them go! She magically relocated her domain, Deathbower, right onto the Dead Roads so that she and her dangerous shabti gardeners can kill your PCs properly. Which brings us to the final section of the Dead Roads adventure, Part Four: Deathbower. I love this location and its map. I love the inhabitants — gardeners, friends, and foes. And I love Mictena herself. Despite being an enemy of your PCs she’s not a bad being. She’s a psychopomp just doing what she thinks is right. Which is cool! Although some of the hazards and enemies in this glorious garden must be confronted head on, some characters can be swayed and may even join you for a while. Reedreaper is a particularly interesting character, although it’s unlikely he sticks around long enough to play much of a role. Even Mictena can be talked down — theoretically. The chances your PCs will be able to roll high enough are incredibly slim, but it could happen. Which I really like.
After leaving Deathbower behind the PCs find themselves back on the Dead Roads and greeted by an incredibly powerful psychopomp, Barzahk the Passage, a demigod and master of the Dead Roads. This enigmatic figure whisks the PCs off to their home in a matter of moments, giving them a bit of time to ask him any questions they might have. I thought this was a great moment and a wonderful way to end the adventure.
In addition to The Dead Roads adventure, this volume contains two articles intended for both GMs and players, one article solely for the GM, a campaign outline, and a bestiary containing five new creatures.
The first article, Tools of the Boneyard, is written by Matt Morris. In it you’ll find new gear and character options aimed at dealing with the dead. There is one alchemical remedy, one alchemical tool, and two alchemical weapons — bone burn is my favourite, so be sure to check it out! There are two new special materials useful for crafting — cryptstone can be used for ammunition and weapons, while spiresteel can be used for ammunition, weapons, and armour. Finally, there are five new magic items: crypt rod, grim helm, harbinger’s scythe, Lady’s Mercy, and Momument’s Truth. Although I enjoyed a lot of the items, it’s the character options that I found were most exciting. Graveslinger is a gunslinger archetype that specializes in combatting incorporeal undead. Soul Shepherd is a monk archetype that calm incorporeal undead and haunts with a touch. They also gain some otherworldly resistances and interesting ways to use their ki. Reaper is a new oracle mystery which I really enjoyed. Tightly themed and flavourful it’s capable of both killing the living and destroying undead. There are also six new barbarian rage powers including the psychopomp totem powers.
The second player friendly article is written by Mikhail Rekun and entitled The Half-Dead. This section talks about four races that have a strong connection to death and the undead. In addition to providing details and character options for dhampir, duskwalkers, and shabti, it also talks about the new subtype of creatures, mortics. Dhampir appear alongside two magical items, duswalkers have access to five new feats, and shabti have access to five new feats. I was particularly excited to see shabti included.
The next article, To Exceed Their Grasp, is written by Crystal Frasier and intended for GMs only. This article discusses some of the important concepts, characters, and events of the Tyrant’s Grasp Adventure Path and the role they play in the overarching story. It also contains a timeline. This is incredibly useful for GMs an will likely be referenced throughout the entire Adventure Path.
The Bestiary is up next! It contains a random encounter chart, two interesting social encounters, and five new creatures written by Ron Lundeen, Kyle T. Raes, and Mike Welham. All of the monsters in this book have ties to death and the Boneyard and two of them are featured in The Dead Roads adventure. Bonewrought Willow is an ominous looking intelligent plant capable of growing in Boneyard. Attracted to light and more benevolent than it appears this is a great CR 3 creature I can’t wait to confront my players with. Kaicherak are nasty little fanged worm beasts with ties to Achaekek and a fondness for messily gorging themselves on blood. At CR 4 they are among the most powerful new creatures in the bestiary. Mortics are living beings with strong connections to negative energy which makes them sort of like living undead. There are two mortic stat blocks included in the bestiary — the ghoulish elf-like angheuvore (CR 2) and the incredibly flexible halfling-like jitterbone (CR 4). As previously mentioned, more information on mortics is also included in The Half-Dead article. The final creature is the tooth fairy monarch, a CR 3 version of the lowly tooth fairy.
The last article is a campaign outline, written by Crystal Frasier and Ron Lundeen, that briefly details the events of the upcoming volumes of the Tyrant’s Grasp Adventure Path. Not the sort of thing you want your players peeking at! The campaign outline is incredibly useful for GMs.
Today we’re taking a peek between the covers of Pathfinder Player Companion: Wilderness Origins! If you’ve been reading d20diaries since its beginning you’ll know that my family and I adore Ultimate Wilderness. My kids love the races introduced — particularly the adorable vine leshys — and my entire family enjoys the shifter class. In fact, each of us have at least two shifters. Needless to say we were excited to get our hands on Wilderness Origins. My husband was hoping for more shifter options, my kids were hoping for more vine leshy options, and I was… Well, I was just hoping someone in my family would find something inside the book that they’d make use of right away.
We were not disappointed.
Pathfinder Player Companion: Wilderness Origins is a soft cover book that is 32 pages in length. As a book in the Player Companion line, it’s aimed at players, which means that you won’t find a ton of world lore or secrets inside. You’ll find archetypes, feats, traits, spells, and more! Wilderness Origins features amazing cover art by David Alvarez, which showcases the iconic shifter, Zova, engaged in battle against an earth elemental.
The front inside cover features brief information on a few plants described in the book alongside some sketches. The entire page is presented as if they were entries in a scholar’s journal, which is a nice touch. Although no important information is contained here that can’t be found later in the book, it’s nicely showcased. Plants depicted include ambrosial lotus, cleanthistle, ghostblossom, and a ghoran seed. There’s also art of a gathlain’s wing and a leaf leshy.
After this is the table of contents, the rules index, and the introduction which contains eight new regional traits themed around different terrains. Each trait is printed alongside an example background for each terrain, that emphasize how you can embrace nature and your environment. Guerilla tactics and surefooted ascent are sure to be popular, but fruit merchant and strong stomach turned out to be my favourites. Environments covered by these traits include the desert, road, forest, jungle, mountain, swamp, tundra, and coast.
Moving on from the introduction we come to six pages of new shifter options. It features a whopping nine new shifter aspects, all of which are pretty cool. The new shifter aspects are boar, crocodile, dolphin, dragonfly, electric eel, mantis, octopus, scorpion, and spider. Electric eel is my favourite, but my son LOVES the boar aspect. He immediately made a gnomish boar shifter for Pathfinder Society Organized Play and was super excited to give it a shot. Unfortunately, we suffered a TPK that weekend and poor Sid’s career was cut short. Still, my son loved the character and made a ton of use out of the boar’s minor aspect, which gives you diehard as a bonus feat.
After the shifter aspects are three new archetypes, dragonblood shifter, feyform shifter, and swarm shifter. They’re all pretty self-explanatory, with the dragonblood shifter allowing you to take on the aspects and forms of a variety of dragons, feyform shifter granting you some tricky defences and the ability to transform into fey beings, and swarm shifter allowing you to turn into a swarm of bugs. They’re all really cool, but dragonblood shifter turned out to be my favourite. My husband’s a big fan of the swarm shifter, though, and he’s not going to be the only one. It’s a really useful archetype which is sure to see a lot of play.
Also in the shifter chapter are thirteen new favoured class options, seven new feats (be sure to check out chimeric aspect, greater weapon shift, and raking claws), and my favourite new option for shifters: alternate natural attacks. Each shifter aspect currently released (new and old) has a list of alternate attack forms they can select in place of claw attacks. Bears have a bite attack, for example, while boars have a gore and a hoof. Any time you activate your shifter claws you can choose to take an alternate natural attack from your animal aspect options in place of one of your claw attacks. This changes the damage type and the way your natural attacks look, but otherwise functions as the shifter’s regular claw attacks. It’s a really nice option I’m happy to see available.
Up next are two pages on each of the races introduced in Ultimate Wilderness — gathlain, ghoran, and vine leshy. The new gathlain options include five alternate race traits (arborealvitality, feyresilience, and whimsicaloutlook are my favourites), seven new feats (mighty boughs and strength of wood are my favourites), and one new archetype. Sworn of the Eldest is a Charisma-based inquisitor archetype that I really enjoyed. Particularly the magic of the Eldest ability, which swaps out teamwork feats for some extra spells and spells per day.
Ghoran options include four alternate race traits (check out intoxicating aroma and magicalabsorption), three feats (I love spell mirror), two new spells (pinecone bomb and woodland rune), and the new ninja archetype petal ninja, which lets you transform into a cloud of flower petals.
Vine Leshy options include four alternate race traits (lashvine and writhing eye are awesome!), four new feats (we like bounteous body best), and the cavalier archetype verdivant. This turned out to be both my kids’ favourite archetype — which came as no surprise since they both love vine leshys. The verdivant archetype lets you to have a plant mount, and enables you create effloresces, which are explosive plant growths that can be used a number of times per day and have some cool effects. While one might form a wall of vines to prevent attacks of opportunity, others can make you walk on air, or even give you and your allies fast healing. Effloresce replaces the cavalier’s banner and tactician abilities.
Up next in Wilderness Origins are two pages themed around flowers. It starts by introducing four new magical plants, ambrosial lotus, cleanthistle, ghostblossom, and gravebane petals. All four are surprisingly useful, but I think I like the cleanthistle best. It’s a great plant to add into my family game of Iron Gods. There’s also five awesome new witch hexes. I honestly had a hard time picking my favourite. My daughter loves leshy summoning, my son loves verdant familiar, and heralding bloom is going to be really useful for some characters. In the end its the floating lotus and iceplant hexes I’m most likely to use. Floating lotus conjures a flower that you can stand on to walk over water or gain a bonus on jump checks while Iceplant makes the witch and her familiar’s flesh harden, granting them a natural armour bonus and and the effects of endure elements. Finally, there’s a new alchemist archetype in this section: perfumer. This alchemist creates atomized perfumes in place of potions, an can distill pheromones that augment your Charisma, diplomacy, and bluff checks in place of mutagens. Very cool!
The next two pages are entitled Wardens of the Wild and involve kami. There’s a new kami eidolon subtype for unchained summoners, ward aspects for hunters to make use of, and the new spiritualist archetype ward spiritualist. This archetype allows a spiritualist to purposesly seek out a kami to bond with, and grants them a ward implement which can either be an object or their own body. With their ward implement they can gain occultist focus powers. They can also merge their kami with their implement to empower their implement in battle. I’m a huge fan of both spiritualists and occultists, so I’m totally biased to love this archetype. Haha.
The next four pages are packed full of options for our animalistic pals — animal companions, familiars, and mounts. It starts with two animal companion archetypes: apex species (which gives your companion benefits in certain terrains) and unexpected intellectual (which makes a vermin companion more intelligent). Then there’s three familiar archetypes: occult messenger, the super creepy parasite, and arcane amplifier (my personal favourite) which grants your familiar the ability to use some metamagic feats on touch spells they deliver. Following these are seven feats which can be taken by animal companions, familiars, and their owners. Three are relevant to familiars, three to animal companions, and one is relevant to both. I really like the animal companion feats curious companion and friendly face, but it was two familiar feats that turned out to be my favourite. Changeling familiar gives any familiar capable of changing shape the ability to transform into a child or teenager of their master’s race, while spark of the uncanny gives your familiar the ability to speak. Awesome! (My kids are absurdly excited for this one!) A few levels later you can swap it out for improved familiar. Next up are descriptions of five breeds of mounts along with a trait for each of them (these traits count towards their master’s total number of traits). Finally, there’s an expanded companion list for cavaliers paladins, and rangers.
The following two pages talk about the totem spirits of the Shoanti, with nine new totem rage powers geared at members of the Lyrune-Quah (moon clan), Shundar-Quah (spire clan), and any ancestor-revering character. There’s also a new shaman spirit, tribe.
Wilderness Magic is up next, with five new arcanist exploits, three disaster themed spells, and the psychic archetype Magaambyan telepath, which blends druidic magic and wilderness themed powers with the psychic. Wild stride and wooden flesh are my favourite arcanist exploits, while flash flood — a sixth level spell on the druid, shaman, and sorcerer/wizard spell list — is my favourite spell.
Similar to magic, the following two pages are all about elemental power — specifically fire. First up is the flame steed spell, which conjures a mount made of fire. Continuing this theme is a new archetype, the cinderlands adept, a fire-based kineticist that gains a loyal mount and is based on the Burn Riders of the Sklar-Quah (sun clan). Finally, there are eight new kineticist talents — one form infusion (elemental trap) and seven utility talents. My favourites included fire corridor and the fire steed tree. I’m a huge fan of both the Shoanti and kineticists, so I was pleasantly surprised to discover these new options.
By now there’s only a few pages left. Two pages of character options themed around the sea and sky. It starts with two more archetypes — a very interesting paladin archetype called champion of the cascade and esoteric starseeker, a psychic archetype based around Golarion’s constellations. Following this are two very cool (and disconcerting) oracle curses that have to do with decay: putrid and scourge. Finally, there’s three new ki powers: floating breath, racing current, and zephyr blow.
And that’s it! The end of Pathfinder Player Companion: Wilderness Origins! My whole family loves this player companion. It contains a lot of fun options for all our favourite parts of Ultimate Wilderness — shifters, gathlain, ghoran, and vine leshys — and pays some loving attention to the many different pets you can acquire. It’s rare that we get to make in-game use of a d20 book right after reading it, but this one immediately inspired us to create something new. It was well worth the investment for my family.
Thanks for joining us today! I hope you enjoyed taking a peek behind the covers of Wilderness Origins.
My kids love games of all kinds. Not surprising, I know. Most kids love games of one kind or another. But mine REALLY love games. This year for their birthdays they decided that they have enough toys. What they wanted was some new board games.
“But, awesome board games, Mom. Really good ones.”
So they did some research, made lists, did some more research, discovered a love of Dice Tower, and revised their lists until they each had a (much too long) list of board games they wanted. Although our birthday celebrations aren’t over yet, they’ve both had a few parties with family and were thrilled to find they got some new games. Most of what they asked for are large, complex games. But a few are short, easy to learn card games. You can expect to see a lot of board game reviews in the coming weeks, but today we’re starting short and sweet, with Dungeon Mayhem!
Dungeon Mayhem is a Dungeons & Dragons card game for 2 to 4 players. Games are short and fast-paced, with a round averaging about five minutes. It’s a small, portable game, with the rectangular box about the size of my hand. It’s the perfect size to bring with you on the go or play in compact spaces. We bring it to the laundromat, for example. Intended for ages eight and up Dungeon Mayhem lets players take on the role of an iconic hero and battle it out.
The game is super easy to learn and surprisingly fun to play. First, you choose a character. Each comes with their own unique deck of cards, hit point card and tracker, and a reference card. Youngest player goes first and play continues clockwise. You start with three cards in your hand. On your turn you draw a card and play a card. You start with 10 hp and when you reach 0 hp you’re out of the game. Last adventurer standing wins.
There are four heroes to choose from: Sutha the Skullcrusher (a female half-orc barbarian), Azzan the mystic (a male human wizard), Lia the Radiant (a female elf paladin), and Oriax the Clever (a male tiefling rogue). Each adventurer has their own deck that plays differently, but with the same basic mechanics so it’s easy to pick up any one and just play. Each card features illustrations by Kyle Ferrin showcasing the different characters in a fun-loving, cartoony style. Many cards have clever, entertaining, or familiar names. The cards each have a variety of symbols on them which tell you what each card does. The symbols are all easy to understand and, if you ever forget what they do, each character has their own unique reference card to remind you.
There are five symbols that appear in every character’s deck. A swords deals one damage to an opponent, a shield blocks one damage dealt to you, a heart heals one hp, a card lets you draw one card, and a lightning bolt lets you play one extra card. Although some cards in the decks contain a single symbol on them, most have a combination or two or three symbols. These symbols appear in different combinations and quantities throughout the decks, making each one different. The paladin’s deck has a lot of healing, for example, while the rogue’s lets you play a lot of cards, and the barbarian is the only character who can do four damage at once to a single enemy. In addition, each deck has a few unique symbols and cards. Sutha the Skullcrusher can deal one damage to each enemy and then gain that much hp with her Whirling Frenzy while the wizard Azzan can swap life totals with another player by playing Vampiric Touch.
There’s a few other rules to the game, but not many. Typically when you play a card it gets discarded, but if you play a shield card it instead is placed on the table in front of you. For each damage it prevents it gets a damage counter, and when it’s been completely destroyed the shield card is removed from play and placed in the discard pile. If you happen to use up all the cards in your hand (you’ll need lightning bolt cards to do this, which let you play an extra card on your turn) you can draw two additional cards. And if your deck ever runs out you simply reshuffle it and keep playing.
While playing we found that this game was super simple to learn, teach, and understand. You get the hang of it quick, and games are fast and exciting. Since you’re battling each other there’s definitely a ‘take that’ feel to this game. Some rounds you’ll feel picked on if you get defeated quick, but others are more balanced. It just depends on the strategies of your opponents at the time. My kids often decided the best strategy was to kill me and then duke it out themselves, so I was brutally ganged up on a lot. Haha. They quickly realized this was a poor strategy when my husband also joined play, as he often teamed up with me so that he didn’t have to combat a pair of allied kids on his own. (How the tables have turned!) My daughter is an expert at the old ‘kick them when they’re down’ strategy, very often dealing ruthless finishing blows against whoever happens to be doing the worst. …Even if it might be against her brother who she was supposedly allied with. Clever girl. Haha.
The decks are fun, varied, and balanced. No one deck it better than the other, they’re just different. Although it’s not immediately apparent what the differences are between the decks it becomes clear pretty quick. Lia, the paladin, deals a lot of damage and heals a lot of her own wounds. Her special abilities include Divine Inspiration, which lets her put any card from her discard pile into her hand and then heal two hp and Banishing Smite which destroys all shield cards in play and then lets her play an additional card. This was my daughter’s favourite deck, and my second favourite deck. While my daughter prefers Divine Smite and her beloved steed Fluffy, I’m a big fan of the Finger-wag of Judgement and Divine Inspiration. This deck is tough to take down and enjoyable to play.
While my daughter and I loved the paladin, my son and I both decided the rogue, Oriax, was out favourite deck. Packed full of cards that let you take extra actions, this deck often lets you play more cards than your opponents. It’s also got some enjoyable tricks, particularly with Clever Disguise, a card that prevents you from being targeted by any cards until the start of your next turn. It’s particularly great for forcing your allies to duke it out at the start of the game, which is likely to result in them retaliating against each other in subsequent rounds. A nice little start! We also really like using Pick Pocket to play a card from someone else’s deck. Need healing? Grab a card from the paladin. Want to wreck your opponent? Snag a card from the barbarian. Want to get a nice full hand or play something tricky? Take a card from the wizard. Sure, it won’t always be what you were hoping for, but I’ve never seen it not be useful. One downside to the rogue is that he only has one way to heal himself: Stolen Potion. Although it lets you heal one hp and play another card (which is great) it does mean that when you’re low on health it’s hard to save yourself. One hp once in a while doesn’t do much. I also love Sneak Attack. It’s art and theme bring a smile to my face every time. Haha.
It should come as no surprise that the barbarian’s deck deals a lot of damage. In fact, they have the only card in the game that can do four damage against one enemy (Rage). They also have the awesome Whirling Axes, which we mentioned earlier. What might be surprising is how balanced it is. It’s got some solid shield cards (my daughter loves the dogs Riff and Raff), ways to draw cards (Open the Armory and Snack Time), ways to heal (Snack Time and Whirling Axes) and ways to destroy a shield with one card (Mighty Toss). Although none of us named this deck as our favourites, it also turned out to be the most played deck and both my son and husband’s second favourite decks. Sutha is a fearsome foe!
Which leaves us with the wizard. At first glance, Azzan’s deck is the most balanced. He can do everything well, but doesn’t have the most of anything either. Burning Hands and Lightning Bolt are some of his most reliable damage dealing cards. Magic Missile is my favourite, as it lets you deal one damage and play an extra card. Stoneskin and Mirror Image are great shield cards. Knowledge is Power gets him a lot of extra cards while Speed of Thought helps him play those cards fast. His one downside is a lack of healing cards. Eventually we came to realize he does have the most of something very important: TRICKS. His three unique cards include Vampiric Touch, which we already mentioned. This card lets him swap hp totals with another player — which can be game changing. Charm lets him take someone else’s shield card that’s on the table and use as his own — also awesome. And Fireball deals three damage to every player (including himself). My daughter’s prone to hoarding fireballs, using Charm to steal someone else’s defences, and then blasting a bunch of fireballs to kill everyone at once while she hits behind her stolen shields. Cheeky thing. Haha. Although Azzan’s deck is just as easy to use as everyone else’s, it’s also the deck that is most rewarding when played with some forethought.
We really enjoyed Dungeon Mayhem. It’s not a complex, tactical game like some of our others, but it’s a fun, quick, romp you can bring with you anywhere. We hope they come out with an expansion that contains another two or four decks. It’d be great to have more deck choices and play with more than four players. Happily, this deck was quite affordable. Our copy was only $18 Canadian. Well worth the money.
Today we’re taking a look at two delightful books released by Dungeons & Dragons for kids: The ABCs of D&D and The 123s of D&D. Intended for young children, these books offer kids a first glimpse at the world of Dungeons & Dragons while teaching the alphabet and counting to ten. Both books feature whimsical artwork by Caleb Cleveland, and catchy rhyming couplets written by Ivan Van Norman.
I recently picked up both of these books for my young nephew, who is soon to turn five. Not only does he adore them, but both of my children (a boy aged eight and a girl aged seven) also found them thoroughly entertaining. I was impressed by their quality and content. The art is perfect for kids, with colourful, whimsical illustrations that hide all kinds of secrets — clouds shaped like dice and towers made of books, for example. Delightful little tidbits that kids will discover as they get a bit older.
“I is for IMAGINATION. What’s YOUR favorite tale?”
“A is for ADVENTURE, our journey has begun.
B is for BOOK, the source of all our fun!
C is for CREATURES of every shape and size.”
Although I expected The 123s of D&D to be shorter than The ABCs of D&D, that wasn’t the case. Yes, the ABCs of D&D covers the entire alphabet, with typically a letter per page. And yes, the 123s of D&D covers the numbers one through 10, with one number per two pages. Technically that would make it shorter, but after counting to to ten there’s a lovely mini bestiary that features a sentence or two about the creatures depicted throughout the book — all written in rhyming couplets. What a pleasant surprise! I’m really happy they included it and all the kids loved it. It immediately inspired them to start making up stories of their own with the creatures. My daughter’s favourite was the almiraj, of course (she adores rabbits and rabbit-creatures of all kinds).
“We begin with ONE Dungeon Master telling a story of daring deeds, the adventure of TWO heroes and their brave and noble steeds.”
“All these monsters you can meet when playing D&D. So have fun on your adventures, and save a spot for me!”
My kids and I thought that The ABCs of D&D and The 123s of D&D were wonderful, entertaining, inspiring little books. Despite being written for young children, they’re of interest to any kids that still love a picture book. Really wonderful work!
Hello, and welcome to d20diaries! Today we’re taking a look at a dark and dramatic adventure path filled with political intrigue and horrifying monsters. Trade War for the Mists of Akuma campaign setting.
What is Mists of Akuma?
Mists of Akuma is an Eastern fantasy noir steampunk campaign setting that’s compatible with fifth edition Dungeons and Dragons. Created by Mike Myler and published by Storm Bunny Studios, Mists of Akuma is based in a fictional nation called Soburin which is very closely based on Japanese culture of… oh, the Sengoku period of the 16th century if I had to guess (but I’m no expert). Soburin’s many prefectures are locked in a tenuous peace, torn between tradition and new technology, and beset on all sides by the terrifying Mists of Akuma, which corrupt everything they touch. Capable of transforming the land into a poisoned wasteland, peaceful dead into undead monstrosities, helpful spirits into foul oni, family heirlooms into cunning living objects, and people into terrifying monsters, the Mists of Akuma are a malignant evil. The Mists of Akuma campaign setting also features a wide variety of new character options, rules, technological items, magical objects, and creatures.
It’s a sorrowful, rich setting that pays close attention to eastern traditions and culture, and brings it into an exciting fictional fantasy world. Manners, honour, and lack of, all play a part, as do kami, oni, and a variety of other Japanese myths and traditions. Mists of Akuma is a setting bursting with creativity, intrigue, mythology, and tragedy that fills a niche all it’s own. For more information on the Mists of Akuma campaign setting you can visit Storm Bunny Studios. To pick up a copy of Mists of Akuma you can visit the Open Gaming Store, Paizo, and Drive Thru RPG. There’s also a few FREE primers available. I highly recommend picking up Mists of Akuma: Soburin Primer for a glimpse at the world of Soburin and the Mists of Akuma campaign setting, Mists of Akuma: Primer for a sampling of character options, and Mists of Akuma: Tsukumogami for a collection of new creatures (objects transformed into fell beasts by the corrupting Mists of Akuma).
But, enough about the campaign setting. Let’s talk Trade War.
Mists of Akuma: Trade War is a 375-page adventure for the Mists of Akuma campaign setting written by Mike Myler, along with Christopher Rippee, Andrew Engelbrite, and Dirk van de Rijt. Intended for 4-6 players, Trade War should bring characters from levels three all the way to level twelve or so. Although Trade War contains everything you need to play the adventure path, I highly recommend picking up the Mists of Akuma campaign setting or downloading the free primers mentioned above. They really enrich the adventure and your players understanding of their world and the beings in it.
Trade War is a campaign focused on politics, intrigue, and tragedy, with it’s true plot is hidden under layers of other stories and adventures. Players uncover threads of the mystery and its villains right from the beginning of the adventure path, with time weaving these seemingly disparate tales into a wonderful, layered story. The adventures are all open ended, providing information on a variety of paths your players might choose to follow instead of just assuming one ‘ending’ occurs. There’s plenty of important NPCs to interact with — both allies and enemies — and monsters to battle, with the lines between good and evil becoming increasingly blurred. Alliances can be forged, loyalties swayed, promises betrayed, and throughout it all your PCs will need to make difficult choices. For doing the right thing isn’t always easy — if you can even determine what the ‘right thing’ is. These tough decisions, moral dilemmas, and pyrrhic victories are truly a highlight of the adventure path.
Before we get any further into this review it’s important to note that not all of the content of Trade War is new. In fact, Trade War consists of six previously released adventure modules bound together with new adventures, side quests, and connections, all culminating in a brand new, epic conclusion. And when I say ‘epic’ I truly do mean it. The final adventure is exceptionally well done.
The six previously published adventures contained in Trade War are Scourge of Róbai Shita Temple, Feud Primordial, Fangs of Revenge, Curse of the Scorpion Samurai, Yai Sovereign of Storms, and Revenge of the Pale Master. The finale is entitled Hone-Noroi Keep Ascends. There are also two side trek adventures (Golden Carp and Cursed Well of Itami) which have varying difficulty levels and are intended to be inserted by the GM when they need to get the players back on track (or whenever they feel is most dramatic). There’s also a series of five ‘Connections,’ which are basically a collection of short social and combat encounters which occur on the journey between adventures and all tie in with the various ongoing plots and events of the adventure path. In addition to these adventures and connections, Trade War contains a bit of important information on the Mists of Akuma campaign setting, some new rules, a wide array of new character options, a player handout, and a character sheet. Finally, Trade War contains some quick and simple instructions for those GMs who want to run Trade War without the steampunk components.
Because Trade War is a mystery I won’t get into the plot just yet. Instead, information on the adventure’s storyline and various adventures will all be contained at the end of this blog post after a large spoiler warning. So, without spoilers, what do I think about Trade War?
For starters, Mists of Akuma is a really great, atmospheric setting. I love it. Trade War is grand campaign that’s much more layered than it originally appears. Despite it’s rather tightly constructed meta-plot it leaves a lot of room for players to make their own decisions, managing to continue the events of the adventure path no matter how honourable or disreputable your players turn out to be. It’s got a lot of climatic moments, dynamic battles, moral dilemmas, betrayals, and surprises. All of the scripted social encounters matter, playing a role in either the meta-plot, current adventure, or foreshadowing other important events. Many NPCs — both ally and enemy — have chances to make return appearances, and players will often be surprised at the role some of the people they meet will come to have. There’s a variety of factions your players could ally themselves with throughout the course of the adventure, all of which are very different.
However, all that open-ended storytelling does come with a downside. This is a rather loosely scripted campaign, with plenty of decisions for GMs to make, NPCs for GMs to create, and plenty of downtime for GMs to fill. While many GMs will be thrilled with this, I do prefer my adventures have a tighter narrative. Why your characters are travelling from one region to another between adventures is left for GMs to determine in most instances and, although the journey and ‘Connections’ themselves are filled with engaging encounters, the motivations behind the journeys are lacking (until the later adventures). In addition to this, many of the adventures utilize the same opening plot hook: a bengoshi told you to. Bengoshi in Mists of Akuma are essentially government officials who have the power to deputize citizens into performing tasks on their behalf. Refusal is met with execution. Obviously “do this because I said so or you die” is not really an engaging motivator. Although for some of these adventures it makes sense that a bengoshi would hire your PCs, at other times it’s unnecessary. There’s plenty of other PCs who could have acted as quest givers and, in many instances, the plot of the adventure itself or a few social encounters could have done a better job.
As previously mentioned, many of the battles are dynamic and complex. Although thrilling and rewarding, they aren’t easy to run. If you’re a beginner GM this is not the campaign for you to start with. Trade War has a lot of cool new creatures, some of which can transform into more powerful forms. Overall, the battles in this adventure path are challenging, memorable, and very well-crafted.
Mists of Akuma is not for the feint of heart. There are strong themes of tragedy, decay, corruption, and sorrow. There’s also some rather gross, horrific depictions (particularly in the finale), and body horror (as the Mists of Akuma can transform even your PCs into terrifying monsters). Although I thoroughly enjoyed the atmospheric, mature tone, it’s not for everyone. And certainly not a child-friendly or family campaign.
Mists of Akuma utilizes many Japanese terms throughout its length, which I really enjoyed. Particularly for names of people, locations, monsters, weapons, and titles. That said, I found that some terms are used but not explained, so I had to stop and look them up. In a few instances the Japanese version of an English loan word is used, instead of just using the English word, which was both jarring and a strange choice. I’m a fan of using culturally appropriate terms and naming conventions whenever possible, but in my opinion Trade War took it a bit too far. It hindered my comprehension of the material on more than a few occasions, which in turn made it less useful for me as a GM and less enjoyable for me as a reader. This adventure would have greatly benefitted from a glossary.
All in all I thought this was a wonderful, challenging, dramatic campaign that mature players are going to really enjoy. It’s set in an atmospheric fantasy world filled with tragedy, desperation, and corruption, wherein players get to make important, complicated decisions — and live with the consequences. I really enjoyed Mists of Akuma: Trade War.
Be warned! The following section contains information on the plot and component adventures of Trade War. If you don’t want any spoilers, stop reading!
Trade War‘s metaplot involves an ancient necromancer called the Pale Master, whose minions are working to bring him back into the world of the living. Fortunately for the world of Soburin, a powerful figure (who I won’t mention by name to prevent too many spoilers) has foreseen the return of the Pale Master and set events into motion that they hope will allow the people of Soburin to have a future. It’s the machinations of both the Pale Master and this other figure that drive the events of the Trade War adventure path. Set amongst this turmoil is a variety of other groups and factions which become embroiled in the growing conflict, either as allies, enemies, minions, pawns, or victims. PCs will have the chance to interact with members of all of the above mentioned groups on multiple occasions and forge relationships with them as they see fit (for good or ill).
Throughout this adventure PCs will face off against scheming humanoids, dark magic, ancient evil, corrupting fog, terrifying oni, powerful demons, unquiet spirits, animated dead, ninja, samurai, dragons, and even the undead army of a necromancer.
Trade War begins with Scourge of Robai Shita Temple, an adventure for third level characters. Tasked by a bengoshi to investigate the village of Shibai, PCs will need to determine why the village — which was mystically protected from the Mists of Akuma — has suddenly become overrun by the mists, the monsters that stalk within it, and a powerful wind demon named Fukō. This mystery is fun and pretty free-form, although I think having a bengoshi give your PCs their task is unnecessary. The various NPCs (or even just the events of this adventures) could have motivated the PCs just as easily. I particularly enjoyed the interactions with another group hired to protect the town, the boisterous Mubō Brothers. My only complaint is that there are a lot of battles with tsukumogami in this one (a bit too many, in my opinion).
From there your PCs travel East over the course of the winter, having a variety of adventures on their journey. Some important events in the adventure path are foreshadowed with social encounters, which was nice to see, and important rumours are already flying. I particularly enjoyed the encounters with the elemental oni Kumo-Rui, an ice-themed spider-like monster who has brought about an unnaturally cold winter. In this section the PCs also meet another bengoshi, Akia the Iron Shell, who tasks them with tracking down an oni-touched sorcerer who has formed his own cult and bringing her anything of value in his possession. This task is trickier than it seems, continuing on into the next adventure, Feud Primordial. It should be noted that the inclusion of Akia the Iron Shell is one I support, as she is important to the ongoing plot line and the next adventure, and it makes sense for her to hire the PCs in order to see her goals accomplished.
Feud Primordial is intended for fifth level characters, and begins with the PCs already in the middle of tracking down a cult-leader. Unfortunately, he has way too many possessions for the PCs to easily carry, making them unable to bring everything back to Akia the Iron Shell. They need to determine what’s valuable and sell the rest. Unfortunately, turns out the object Akia most wanted — in fact the whole reason she sent you after the cult-leader — was to fetch a specific object that was valuable to her, but not actually valuable. An object PCs have either sold (most likely) or was stolen from them (less likely). Furious, the bengoshi sends your PCs back out to hunt down the missing object. This adventure leads the PCs to a town where a murderer stalks the streets, and eventually casts them as pawns locked in a power struggle between two incredibly powerful ancient beings.
After finally appeasing Akia the Iron Shell the PCs accept work as a caravan guard and travel north. Along the journey they get involved in some interesting events, my favourite of which involves a corpse-eating oni.
In time the PCs arrive in Samon, home of the Tazuki Rail Company, where they become embroiled in the events of the next adventure, Fangs of Revenge. Once again, they’re hired by a bengoshi, although this time they’re asked to investigate a growing unrest among the labourers of Samon, discover the leader of the workers growing rebellion, and put and end to their uprising before it begins. This leads to a complex web of intrigue and a large cast of interesting characters. PCs will soon discover that there’s more going on in Samon that meets the eye as they clash with shapeshifting snake-folk, and dark rituals.
Leaving Samon behind the group travels south, working as guards for two different groups at different times. By now they’re likely catching wind of a smuggling operation that’s apart of this campaigns meta-plot, although they won’t necessary understand all the movers and shakers behind it. The PCs actions will continue to affect how a few factions see them later in the campaign.
The next adventure, Curse of the Scorpion Samurai, is intended for 7th-level characters and begins when the PCs are hired by a bengoshi from Fuson prefecture to sneak into Fuson, investigate a series of grisly murders, and lay a trap for the killer using his intended victims as bait. But their enemy, the Scorpion Samurai, was once a local folk hero with a tragic past. PCs will need to be exceptionally canny to prevent the people of Shinjitsu from informing the Scorpion Samurai of their presence lest they go from the hunters to the hunted.
From Fuson prefecture the PCs take a mountainous journey at the behest of a poor woman. Although their mission does not reach its conclusion, they do make some important discoveries related to a series of black torii gates that have been popping up throughout Soburin since the start of Trade War.
The next adventure, Yai Sovereign of Storms, is intended for 8th-level characters and takes place in a mountainous region of the GMs choosing, likely the same mountains that PCs were just travelling through. The PCs find themselves ambushed by a fearsome oni bengoshi who wants to hire them (this marks the second instance where I thought using a bengoshi quest giver was particularly important to the story). Xiqzoxix has heard of the PCs recent exploits and needs their aid to oust a powerful storm demon who usurped the throne from the previous warlord that ruled the oni city of Tsukisasu. Unfortunately, the storm demon is a hate-filled beast who gets more powerful by the day. PCs will need to sneak into the city of monsters in disguise, undo the storm demons magic circles, and defeat him before he becomes too powerful. In the end they’ll get to decide who will rule in the storm demons place — the original oni warlord or Xiqzoxix himself.
Leaving the magically hidden city of Tsukisasu behind the PCs suddenly find themselves in a forest near a newly laid rail track. In this series of connections they’ll have to battle an enemy atop a moving train, punish the oni behind the corrupted black torii gates, and discover that the various factions of Soburin are preparing for war.
Revenge of the Pale Master begins in the city of Kizaki immediately before the annual Festival of Falling Hawks. Intended for 8 – 10th level characters, this adventure once again sets the PCs on the trail of an infamous murderer. This time the murderer has come back from the dead to sacrifice six children whose relatives he tried to sacrifice in life exactly ten years ago. Although the local government has already placed three of these children in protective custody, the other three were kidnapped and need to be rescued. Except… that’s not really what’s going on at all. Haha. This adventure is full of twists, surprises, and betrayals. Whether the PCs ever figure out what’s really going on is entirely up to them. Revenge of the Pale Master is my favourite adventure in Trade War.
Which brings us to the all new finale to Trade War: Hone-Noroi Keep Ascends. In this adventure intended for 12th level characters the Pale Master’s bone tower rises from the earth and towers above Soburin, disappearing into the clouds. Undead march from the tower, the land becomes tainted, and dark magic is seen roiling in the skies. Villagers are evacuated by the government and the various factions met in this adventure path put their brewing war on hold to combat this ancient evil. The PCs may be able to ally with one or more of these armies and gain advantages (and disadvantages) based on how they treated the various groups. Some may be trusted allies, while others may be bitter enemies. Together with these armies your PCs will assault the Pale Master’s undead armies, storm the tower, ascend to the top, and defeat the Pale Master. It’s a gross and horrific gauntlet that’s packed full of challenging encounters and foul enemies. Such a great conclusion to this campaign!
Although that’s the end of the adventure path there are two more adventures in this book. Each is a short side quest intended for varying level difficulties. The first, Cursed Well of Itami, is best played at 5th level, and fits well between Feud Primordial and Fangs of Revenge. In it the PCs find themselves in a village whose well has been corrupted and now holds only blood and other vile substances. PCs need to descend into the well — and the hidden chambers connected to it — in order to cleanse the well and save the town. The second adventure, which is my favourite of the side quests, is Golden Carp. Intended for 7th-level characters, this adventure fits well between either Fangs of Revenge and Curse of the Scorpion Samurai or between Curse of the Scorpion Samurai and Yai Sovereign of Storms. In this adventure the PCs find a magical golden carp who begs them to prevent a noblewoman from catching him in her fishing net. If they choose to save the little fish from the woman — who’s actually an oni in disguise — they discover it is a powerful dragon on a pilgrimage back to its home. The dragon must undertake the journey in the humble form of a carp once every century in order to maintain is powers. They’ll need to protect the fish on it’s trip up to it’s mountain shrine without physically interfering in its journey.
Which brings us to the end of Mists of Akuma: Trade War!
Thanks for joining us today. I hope you enjoyed checking out the dark fantasy world of Mists of Akuma as much as I have.