Hello adventurers! Today we’re taking a peek between the covers of Pathfinder Player Companion: Heroes of Golarion! This delightful softcover book from Paizo Inc. is packed with new character options from all around Golarion, sorted by location. The regions covered include Arcadia, Avistan, the Crown of the World, Casmaron, Iblydos, Garund, and Tian Xia. It also contains a lot of new options for occult-themed mythic heroes.
When I heard about Heroes of Golarion I was very excited. It immediately made it onto my (way too long) ‘wishlist.’ Why? For starters, this is the second-last Pathfinder Player Companion being released for Pathfinder First Edition –– a fact both sad and exciting! Second, I love the topic. I adore thematic character options, so seeing new archetypes, feats, traits, and so on from a ton of different regions is always enjoyable for me. But, it’s not so niche that I’ll have trouble getting to use the options inside. Third? Mythic rules! Now, I know not everyone is a fan of mythic rules. I like them, but even then, I don’t use them often. That said, I adore the occult classes. And you know what they’re lacking? Awesome mythic options! Sure, you could make something work with the current options, but it’s not going to be as great as it would be if you were a different class. And honestly? Of the mythic characters I’ve interacted with as a GM and a player, half of them are occult classes. Yeah. Poor things! Haha. So seeing some awesome mythic options for occult classes is pretty amazing. I’m thrilled it’s happening before Pathfinder First Edition comes to an end. And finally? Controversy! There are two sorcerer bloodlines in this book that I had already heard plenty about. I’ve heard people condemning them, and I’ve heard people praising them. Why? They both give the sorcerer the ability to use healing magic (or healing abilities). Now, I knew I would not be in the ‘sky-is-falling’/’it’s-broken’ group. I’m a pretty laid back player, and no, I don’t think letting a sorcerer get some ways to heal or healing spells is going to break my beloved game. But, I was curious to see how it was handled. Also? Pathfinder Second Edition has sorcerers that can heal. I like that these bloodlines act as a thematic bridge between First and Second Edition sorcerers. So how did I like the bloodlines? We’ll get to that in time! For now, let’s start at the beginning…
Pathfinder Player Companion: Heroes of Golarion is a soft cover book that is 32 pages in length. As a book in the Player Companion line, it’s aimed at players, which means that you won’t find a ton of world lore or secrets inside. Instead you’ll find character options –– things like archetypes, feats, traits, spells, and more. Heroes of Golarion was developed by Eleanor Ferron and Luis Loza. Contributing authors include Saif Ansari, Alexander Augunas, Mara Lynn Butler, Michelle Jones, Avi Kool, and Alex Riggs. The cover features dramatic art by Setiawan Lie which depicts a cleric of Kazutal and a cloaked adventurer armed with both magic and blade, combatting a tzitzimitl –– an incredibly powerful undead from Bestiary 3. Interior artists include Nathanael James, Craig Maher, and Marcel Mercado.
The front inside cover features a glimpse at some thematic documents from Golarion, including a recipe, travel documents, and other paperwork. All these documents are layered across each other, though, so you can’t read the full text on any. They’re intended for flavour, not player handouts or anything. Although interesting, it’s not useful.
After this is the table of contents, the rules index, and the introduction which contains a brief summary on Golarion, its continents, and other major regions. Each summary is a paragraph long and lists information on the region, it’s nations, and most common peoples.
Moving on from the introduction we come to our first region: Arcadia! This section contains two pages of new character options, and two pages on wyrwoods (which are most commonly found in Arcadia). Arcadian character options include four gun feats (all of which are useful), three jaguar-themed slayer talents intended for worshippers of the goddess Kazutal, and two legendary spirits for mediums from Valenhall (Adril, the Would-Be King, a Champion, and Father of Legends, a Marshal). Wyrwood options include two alternate race traits (check out experimental body), favoured class options, and eight new feats (my favourites were lifecrafting and sword’s shadow).
Up next are four pages of character options from Avistan and the Crown of the World. This section contains one archetype for bards, Speaker of the Palatine Eye. There’s some new options for mesmerists themed around exploring subterranean locations, including two new feats (I love them both), three new tricks, and three new bold stares. There’s five hilarious (and awesome!) feats for heroic goblins. I particularly enjoyed mental derail and piercing chant. Finally, there’s the frost shaman spirit, which is one of my very favourite character options in this book, and the unicorn bloodline. Yup! A sorcerer bloodline that grants you healing magic for your bloodline spells, and lets you heal a target of some hp whenever you cast a spell as your bloodline arcana! It’s amazing! Although some players argue it’s too powerful, or makes other healers less important, I think it’s going to be great fun. Plus, I love the theme! Who doesn’t like unicorns?
Leaving behind Avistan we get to Casmaron. Here you’ll find two pages of character options from Casmaron, followed by another four pages of character options from Iblydos, an island in Casmaron. Casmaron character options include holy beast, a shifter archetype that focuses on combatting outsiders, and plague eater, a spiritualist archetype that is haunted by the restless dead killed by plague. Although I adore the plague eater, it’s very tightly focused on resisting and healing diseases, so I’m not sure how much use I’d actually get out of it. Other options include the peafowl shifter aspect, and four Vudrani phrenic amplifications for psychics. Iblydos character options include an oracle curse called god-meddled which can be either a help or a hinderance, two new legendary spirits for mediums (Kelksimides the Hierophant and Psomeira the Champion), and a lot of witch hexes and grand hexes that I loved. Beast’s gift, combat hypnosis, swine, and animal servant are all among my favourites. There’s also priest of the fallen, a spiritualist archetype that channels the phantoms of various hero-gods, and the medusa bloodrager bloodline that I really enjoyed.
Up next? Six pages on Garund! Here you’ll find new gun options and ammunition for characters from Alkenstar, an investigator archetype called the Holomog demolitionist that focuses on destroying your surroundings and creating difficult terrain, eight new vigilante talents, six new arcanist exploits that focus on primal magic, and five new shifter aspects (elephant, giant wasp, horse, lion, and snapping turtle). There’s also the sphinx bloodrager bloodline, which I enjoyed, and two feats that allow characters to gain an intelligent magical beast as an animal companion. Along with these feats are five options for magical beast companions: basilisk, behir, bulette, death worm, and sun falcon. Tough decision, but I like the basilisk and sun falcon best.
With that we reach our final destination: Tian Xia. Here you’ll find four pages of character options, two of which are dedicated to new kineticist options! Of the new kineticist wild talents, eleven are utility wild talents, and only four are infusions (three substance and one form). These options are themed around clockworks, toxins, wind, and amplifying your race’s natural abilities. Although plenty of them are cool it’s the bolt form infusion and the various clockwork utility wild talents that I liked the best. But, there’s more than just kineticist options in Tian Xia. In these four pages you’ll also find a wide variety of alchemist discoveries themed around calligraphy and drawing with specially prepared magical inks. My favourite is living pigments, which lets the creatures you draw come to life! There’s also the spirit eater, a medium archetype, and the phoenix sorcerer bloodline! This thematic bloodline lets you do all sorts of cool things, like surround yourself in fire, grow wings of flame, and even come back to life! Perhaps its niftiest ability is it’s bloodline arcana, which allows your fire spells to heal your targets instead of harming them. Of course, these purifying flames don’t heal as well as they could burn… I love it!
Although that’s the end of our whirlwind tour of Golarion, that’s not the end of this book. Heroes of Golarion wraps up with one page of rules for occult mythic characters, and three pages of new mythic path abilities. These path abilities are all useful to, or themed around, the various occult classes and abilities. Although many are specific to a certain mythic path, some are universal, and can be chosen by characters following any mythic path. Although there are plenty of cool options for all the occult classes, it’s the mythic abilities intended for kineticists that I like best.
And that’s it! The end of Pathfinder Player Companion: Heroes of Golarion! This book is packed full of cool new character options from around Golarion. In the end, it’s the frost shaman spirit, medusa bloodrager bloodline, and the phoenix and unicorn sorcerer bloodlines that I enjoyed the most. They’re all definitely going to see use in my house! And honestly? I don’t see why some players were worried over the sorcerer bloodlines. They’re going to be great fun.
But, even more than the character options, it’s the new mythic path abilities and supplementary rules that made this book worth the money for me. Although brief, these new options allow occult characters to make use of mythic paths as effectively as the other character classes can––an incredibly important addition to Pathfinder First Edition, that I’m relieved got to see print before Second Edition rolls around and it’s too late.
Those of you that participate in the Pathfinder Society Organized Play community will be happy to know that Heroes of Golarion is already sanctioned for use, with nearly all of the content in this player companion legal for PFS play! For more information, check out the Additional Resources on Paizo’s website. (And yes, for those of you excited or worried, both sorcerer bloodlines are legal for play. It’s going to be great!).
Thanks for checking out d20diaries! I hope that taking a peek at what’s inside this Player’s Companion helped you decide if this is the right book for you. There’s plenty of great books out there (and I know I’m not the only one who can’t afford them all!).
It’s rare we take the time to talk about RPGs and other games that are crowdfunding, but today we’re making an exception! Why?
Next year marks the tenth anniversary of Kingmaker, a six-part Pathfinder Adventure Path by Paizo Inc. This incredibly popular campaign was recently made into a computer game, by Owlcat Games (for more information check out this blog post). As with many of the popular Pathfinder adventure paths, Kingmaker has been out of print for quite a while. Although you can still find it kicking around on amazon, eBay, and other sites, it is not cheap!
Although Kingmaker’s not my favourite adventure path (sandbox-style campaigns aren’t my preference), I’ve always enjoyed reading and GMing Kingmaker. My copies of the adventures are more than a little dog-eared and worn. They’re riddled with highlighter and post-it notes, and I have multiple notebooks full of hand-written events and expansions for the campaign. Sadly, none of my campaigns ended up making it to the end. I’m cursed! Haha.
To celebrate Kingmaker’s tenth anniversary, Paizo Inc. is releasing an anniversary edition of the Kingmaker Adventure Path for Pathfinder Second Edition! Like previous anniversary editions, the campaign will be updated, enhanced, and expanded upon. Unlike previous anniversary editions, this book is huge. Seriously huge. And you know what? It has the potential to be even bigger.
Today Paizo Inc. began a crowdfunding campaign for Kingmaker 10th Anniversary Edition. There are two primary products you can purchase. The Kingmaker Adventure Path for Pathfinder Second Edition (which will be a minimum of 576 pages long!) and the Kingmaker Companion Guide, which contains information on two of the characters from the Kingmaker computer game (the gnome Jubilost and the halfling Linzi), and brings them to the table with stats, information, kingdom roles, and quests. Backers get both a print and PDF copy of the books, which are due out next year. In addition, there are some cool add-ons for this campaign. Among these are dice, hero tokens, a pin, and the Forest Kingdom PDF by Legendary Games. The most exciting add-on? The Bestiary! Kingmaker Bestiary takes all of the Second Edition creatures and NPC stat blocks and recreates them for Pathfinder First Edition or 5th Edition Dungeons and Dragons! The Bestiary volumes will also contain notes and information on how to run the Kingmaker Adventure Path in First Edition Pathfinder or Dungeons and Dragons 5th Edition. Stretch goals include a Kingmaker Pawn Box (which I would love to get my hands on), flip-mats, and expansions to the Kingmaker Companion Guide. In addition, the Kingmaker Adventure Path will feature more and more content as the various funding goals are met.
Colour me intrigued!
For more information on the Kingmaker 10th Anniversary Adventure Path check out the video below, or head on over to the crowdfunding campaign on Game On Table Top.
Hey everyone! Thanks for stopping by. Today we’re taking a look between the the covers of the latest ‘gods’ book: Pathfinder Campaign Setting: Faiths of Golarion! Although I’ll be mentioning what’s in this book and talking about my favourite parts, this is not meant to replace the book itself. The opposite, in fact! It’s meant to let you know what’s inside so you can decide for yourself whether this is a book that will be of use to you. For me? Definitely! Curious what’s inside? Read on!
Featuring cover art by Igor Grechanyi that showcases the gods Gruhastha, Hei Feng, and Nivi Rhombodazzle, this soft cover book is 64 pages in length. Other contributing artists include Gislaine Avila, Emanuele Desiati, Vlada Hladkova, Sandra Posada, Luca Sotgiu, and Vicky Yarova. Contributing authors include Kate Baker, John Compton, Adam Daigle, Crystal Frasier, Ron Lundeen, Liane Merciel, Michael Sayre, and Owen K.C. Stephens.
Like the many god and faith themed books before it, this book takes an up close look at a variety of faiths, talking about the gods and goddesses, their faith, church, priests, worshippers, holy texts, holidays, aphorisms, planar allies, and so on. It also features information on their alignment, domains, subdomains, favoured weapons, centres of worship, paladin and anitpaladin codes (if there is one), obediences, and boons (usable by those who take the deific obedience feat, or take levels in the exalted, evangelist, or sentinel prestige classes from Inner Sea Gods). There’s plenty of awesome art in this book, with each faith discussed having four images: one of the deity, one of the holy symbol, one of a worshipper, and one action shot of the deity.
There are ten faiths discussed in this book. Each is a lesser detailed but very important faith. This includes a few racial faiths — the halfling goddess Chaldira Zuzaristan, the gnome goddess Nivi Rhombodazzle, the elf god Ketephys, and the dwarf god Magrim. It also includes information on deities from other regions of Golarion such as the Tien gods Hei Feng, Shizuru, and Tsukiyo, as well as the anadi goddess Grandmother Spider who is popular in the Shackles and Sodden Lands, the Vudrani god Gruhastha who is popular in Vudra, and the Razatlani goddess Kazutal who is popular in Arcadia. Each of these faiths is incredibly important to their respective cultures and I’m thrilled to see them get some of the attention they deserve. Information on the racial deities, especially, I feel was long overdue. Before sitting down to read this book I was most excited for further information on Ketephys, Shizuru, and Tsukiyo. All of the entries were great, but after reading I was most inspired to make worshippers of Grandmother Spider, Kazutal, and Tsukiyo.
So who, exactly, are these deities?
So glad you asked!
Chaldira Zuzaristan is a brash and reckless halfling demigoddess of battle, luck, and mischief. She fights against oppressors, tyrants, and injustice, trusting in her luck and companions to see her through. A bit of a thieving troublemaker, but not malicious, Chaldira is good friends with the goddess Desna, who shares her love of travel. One of my favourite parts of the article on Chaldira is her eccentric planar allies, particularly her herald The Button Fellow.
Grandmother Spider is a cunning goddess of twilight, illusions, family, and weaving. Created by the gods as a tool be used alongside her brother, Achaekek, Grandmother Spider was tasked with weaving the world and the destiny of the mortals in it. But she rebelled against the gods and wove a new destiny for herself, granting herself free will and divinity. She’s a trickster, teacher, and folk hero. I particularly enjoyed reading about her relationships with the other gods — she once stole Asmodeus’ keys and enjoys teasing her brother Achaekek. Who doesn’t want to irritate the assassin of the gods?! Haha. I also adore all the art in this section!
Gruhastha is the vudrani god of peace, understanding, and self-improvement. Once Irori’s nephew he sought to record his knowledge for the world. Upon completing his perfect book, the Azvadeva Pujila, he became the divine embodiment of that holy text. Now Gruhasta seeks to enlighten the world so that one day it will be so perfect it becomes one with Nirvana. Interesting!
Hei Feng is a wild and unpredictable tengu god who is very popular in Tian Xia. A moody god of the sea, storms, thunder, and wind, he is always accompanied by his four companions, the Counts of Lightning, Rain, Thunder, and Wind. Drunken, boisterous, and easily angered, Hei Feng is a dangerous deity. As one of the most popular Tian gods I’m happy to see he got some attention. Turned out Hei Feng is my son’s favourite god in the book.
Kazutal is a deity I didn’t know much about, but wow! She is awesome! Haha. Also known as Mother Jaguar, she’s a war goddess whose focus changed over the Age of Darkness, when community and togetherness became integral for survival. Now a goddess of war, family, togetherness, community, liberty, and safety, she promotes a love of your neighbours, family, and friends. This love should be spoken of plainly and without shame, for its these bonds of love that cause neighbours to have the courage to stand up and protect one another. It’s love that makes communities strong. Those who don’t show love of others are considered cowards. Which is awesome! I really enjoyed reading about her faith’s take on love, and the evolution of her religion. I also adore the art in this section! It’s amazing!
Kazutal, illustrated by Vlada Hladkova. Art courtesy of Paizo inc.
Kazutal Priest, illustrated by Vlada Hladkova. Art courtesy of Paizo Inc.
Ketephys is the calm, stoic elven god of hunting, the moon, and the forest. He’s a god of archery, and urges his followers to respect nature, replace what they take, and never waste. This is one of the gods I was most excited to see included in Faiths of Golarion, as the elven deities were among those created back when Pathfinder didn’t have it’s own rules, and I feel like I’ve been waiting forever for further details on them. There are some details, of course. A paragraph or two throughout the various Paizo products, but I wanted more. I would have been happy to see details on any of them, but I’m particularly pleased to see its Ketephys.
Magrim is another deity that’s been around since the beginning of Pathfinder but lacked much information. The dwarven god of death, fate, tradition, and the underworld, he’s fair, unflinching, and unwavering. Magrim considers Pharasma a respected elder, and is often tasked by her to repair damaged spirits that enter the Boneyard. I really enjoyed learning how Magrim fit alongside Pharasma, and his role in the dwarven afterlife.
Nivi Rhombodazzle is about as different as Magrim as you can get. This gnome gambler fled underground to escape her many angry creditors and ended up becoming the first of the svirfneblin after she traded a rare gem to Torag in exchange for divinity. Talk about a deal! Nivi’s an impulsive daredevil addicted to the thrill of a wager. She urges others to test their skill, push their luck, and experience the best life has to offer. And when luck turns against you and you’re in a lot of debt? Run, of course! Best of luck! Haha. She’s a tricky, thieving little thing whose faith is said to hold the key to staving off the Bleaching.
Shizuru is another of the gods I was most interested in reading about. This draconic Tien goddess is also known as the Empress of Heaven, and is the main deity of the Tien pantheon. A goddess of honour, swordplay, the sun, and ones ancestors, she’s incredibly popular among the people of Tian Xia and players of Pathfinder. I particularly enjoyed reading about her relationship with Tsukiyo, her lover who died and came back to life changed.
Which brings us to Tsukiyo, the final deity in Faiths of Golarion. Killed by his own jealous brother, Tsukiyo was the beloved of Shizuru. But his lover couldn’t accept his death and she ordered Qi Zhong, god of medicine and healing, to bring his back to life. It worked, but Tsukiyo came back changed. Now quiet, contemplative, and possessing an uncommon outlook, he is god of the moon, spirits, and outsiders. He teaches that no matter a person’s perceived flaws and oddities, all are a whole person deserving of respect. This applies to those society shuns, deems insane, are disabled, or those suffering from mental illness. I absolutely love what they did with Tsukiyo. Delightful from start to finish.
Tsukiyo, illustrated by Sandra Posada. Art courtesy of Paizo Inc.
I never expect a gift for Easter. It’s a time to give treats and small gifts to kids. Chocolates and candy and books. So imagine my surprise when my husband and kids gave me an Easter gift. A gorgeous set of dice.
A vibrant dark blue with orange numbers and designs, these beautiful dice are highly detailed. Made by Q Workshop for the Starfinder Dead Suns Adventure Path, it contains a d4, d6, d8, d10, percentile, d12, and d20. The standard seven dice set.
They’re easy to read and look amazing at the table. I own a lot of dice, but the Dead Suns Dice Set is right up there with my very favourite sets. In fact, it’s tied with my Iron Gods Dice Set (also by Q Workshop) for my favourite dice. I love them!
Here’s hoping they bring me some luck!
The Dead Suns Adventure Path consists of six adventures:
To check out more of Q Workshop’s amazing dice head over to their website. To find out more about the Dead Suns Adventure Path head over to Paizo’s website or watch the trailer for the Dead Suns Adventure Path below.
Starfinder Critical Hit Deck is the size and shape of a deck of playing cards. It retails for around $10.99 USD (or around $15 Canadian dollars). There’s an adorable little skittermander playing with a d20 on the box, with some product information on the back.
The cards inside are high quality and easy to read with a colour scheme matching the Starfinder Core Rulebook. There’s fifty-five cards inside. One contains product information, the open game license, and cites Owen K.C. Stephens as the author and Taylor Fischer as the illustrator. The second card lists the rules of using the Critical Hit Deck. And the other 53 cards are Critical hit Cards.
All of the cards follow a specific set of rules laid out on the rules card. All critical hits deal double damage unless the card specifies otherwise. Any effects listed as ‘Crit Effect’ can replace your weapons regular critical hit effect (if it has one) if you want it to, but you don’t get both. Any effects listed as ‘Bonus Effect’ apply in addition to the critical hit effects of your weapons. There’s some other simple rules for DCs, scaling, and so on, but they’re all easy to get a handle on.
You’ll also need to decide ahead of time how to use the Critical Hit Deck. That is to say, when you use it. For players that’s simple. Every time you score a critical hit (a natural 20 on a d20 dice) you draw a card and apply it’s effects. For GMs it works a little differently. The deck provides three options for the GM to select from. First, the GM draws a card whenever a major villain, creature, or NPC scores a critical hit. Second, drawing a critical hit card is a special ability that NPCs can take, and the GM selects which NPCs have it. And third, the GM draws a card every time a villain, creature, or NPC scores a critical hit. Personally, my family uses it for all PC critical hits and for major villain, creature, and NPC critical hits, but I like that there’s a variety of ways to integrate this deck into your game.
When you score a critical hit you draw a card. Each card has four different critical hit effects. One for energy attacks, one for kinetic attacks, and one for spell attacks. The fourth critical hit effect is an ‘extreme blow’ and lists a single specific damage type (such as electricity or slashing). You simply read the card, select the critical hit effect that matches your damage type, and carry out the effect listed. If you happen to deal the exact same type of damage as the extreme blow you use that critical effect instead. Easy.
Most importantly? It’s fun! My family loves pulling out a card and getting some extra effects. Particularly the extreme blows. It always ends in laughter. Of course, they’re not so thrilled when an enemy does it, but hey, that’s the way the dice land. Haha.
Some of our favourite effects include blast back (energy), lodged in the bone (kinetic), shrapnel by the bone (kinetic), blood magic (spell), vampiric magic (spell), disintegrate (extreme spell), it’s a gusher (extreme melee), mega-smash (extreme bludgeoning), punctured lung (extreme piercing), sound of victory (extreme sonic), severed spine (extreme slashing), and disarmed (literally!)(extreme slashing).
Got a favourite critical hit card? Let us know in the comments!
So it should come as no surprise that Easter is her very favourite holiday. Stores that she would normally take no interest in are packed full of rabbit clothes, rabbit knick-knacks, rabbit pictures — rabbit everything! Add to that the chocolate, the treats, the family celebrations, and the high probability someone will give her a new stuffed rabbit, and she couldn’t be happier.
And then yesterday she got sick. Headache, nausea, stomach pain, fatigue. Nothing fun. The poor dear’s curled up on the couch whimpering on her favourite day of the year.
So we’re having a quiet Easter this year. I’m resting at home with my family, comforting my daughter, trying to prevent my son from gorging himself on chocolate, and tidying up the house.
But, we’re taking some time out of our (not) busy day to say thanks.
And thanks again.
Whoever you are, wherever you’re from, and however you celebrate, we’d like to take the time to wish you a Happy Easter. (Or as my daughter would say if she was feeling better: “HOPPY Easter! BOING BOING!”).
For those of you who don’t celebrate Easter, we’d like to wish you a wonderful day.
Against the Aeon Throne is a shorter campaign than most. Typically six books in length, this Adventure Path is only three. It’s a great change of pace that will allow the folks at Starfinder to tell shorter, more personal stories. In addition, this three part length makes it easier to purchase and play through an entire adventure path. It’s awesome for gift giving and the budget conscious! Six books is a huge investment, but three? Well, that’s a lot more manageable for those of us without much extra cash laying around. On the other hand, with the three book format I feel like I blinked and the whole adventure path was over. I didn’t get my hands on the first book until the third came out and I missed the Signal of Screams Adventure Path completely. In general, it’s both easier to collect and easier to miss. Although I enjoy the three book format, I also enjoy the six book format, so I hope they continue to rotate between the campaign lengths.
So what exactly is Against the Aeon Throne: Escape from the Prison Moon all about? In short, the PCs defeated an Azlanti military force that had annexed the small colony of Madelon’s Landing on the planet of Nakondis. But saving the fledgeling colony is just the beginning. The PCs have discovered that an experimental starship engine and their friend, the android Cedona, were already transported off of Nakondis and back to the Azlanti Star Empire. Determined to rescue Cedona and retrieve the starship drive the PCs travel to the Azlanti Star Empire and attempt to rescue Cedona from the prison moon she’s being held on. Exciting stuff!
Now, let me take a moment to be clear. The Azlanti Star Empire is a pack of giant, pompous, jerks. They’re great villains for the PCs to clash with, but an overwhelming opponent. This adventure path does not send your PCs off to take down the entire Azlanti Star Empire. It’s much smaller in scale than that. And frankly? I love it. It lends a sense of suspense to the series and makes it feel like you’re playing real people in a living breathing world universe doing what they can, rather than heroes so powerful they change the whole world universe. It’s a wonderful change of pace and scope. It’s got a very Firefly / Star Wars feel to it.
But, before we get into that too much, let’s take a look at the book itself. Starfinder Adventure Path 8: Escape from Prison Moon (Against the Aeon Throne 2 of 3) is a softcover adventure written by Eleanor Ferron that is 63 pages in length. It’s intended to take players from level three to level five. The adventure itself is around 35 pages long, and split into three main parts: A Distant Call, in which the players travel to the Azlanti Star Empire; Outpost Zed, in which the players explore a space station and plan their caper; and Jailbreak, in which the players infiltrate the Prison Moon to free Cedona. After the adventure there’s an eight page primer on the Azlanti Star Empire and an eight page primer on the non-human races of the Azlanti Star Empire. There’s also seven new creatures in the Alien Archive, and a short Codex of Worlds article on Outpost Zed. Lastly, the inside front and back covers feature information and a layout for a tier 3 starship: the Vanguard Parapet.
My favourite parts of this book are the large number of new player races (there’s six of them), the incredibly varied and quirky NPCs (Glest, Half-Red, Xaarb, and Talmrin are all great fun), and how free-form the locations are. Yes, you have to go to ‘A’ place, and accomplish ‘B’ goal, then go to ‘C’ place, and accomplish ‘D’ goal, but how you go about achieving your goals in ‘A’ and ‘C’ — the order and methods — are up to you. I really like that. Another minor thing I really enjoyed is that every enemy has a name. It sounds like a silly thing to enjoy in an adventure, but giving every villain a name allows for PCs to take approaches to dealing with them that amount to more than ‘attack’ and ‘loot.’ That’s incredibly important in this adventure, particularly in Part Three: Jailbreak.
Before we continue with a more in depth look at the book, let me point out: there will be SPOILERS.
You have been warned.
For starters, I love the look of this book. I like the colours and the layout. The text inside is easy to read and the colours are easy on the eyes. The cover art is wonderful. It showcases Cedona, an android, retired Steward, and ally of the PCs, as drawn by Anna Christenson. Behind her is an awesome image of Raia (the iconic lashunta technomancer) and Quig (the iconic ysoki mechanic) fighting off Azlanti prison guards.
The starship showcased on the inside covers is a Vanguard Parapet. This tier 3 medium transport is destined to be the final enemy the PCs face in this adventure. All in all it’s a well-built ship, that packs some serious firepower. I particularly like how it’s shield points are balanced, with barely any shields in the quadrants where they have the most guns, and the excess shields where they have the least guns. The art is nice and the ship layout is useful.
After that we hop right into the adventure itself. This adventure starts a bit slower than its predecessor. It begins with some necessary bookkeeping. The PCs likely have some loose ends and social encounters to wrap up in Madelon’s Landing after the conclusion of Reach of the Empire (Against the Aeon Throne 1 of 3) and they’ll need to upgrade their starship to tier 3. Afterwards they receive a recorded transmission from The Stewards which should help nudge them on their way and get the adventure going. For many groups this transmission is unnecessary. PCs should already know their goals for this one: retrieve the drive and rescue their friend. But, for those groups that need a little more guidance, this recording gets the job done quick and efficiently. The PCs will need to fly to the Azlanti Star Empire, get their bearings, and find their way to the Prison Moon Cedona is being held at. On the way they run into a witchwyrd merchant ship where they’ll have a chance to make friends, barter, and pick up some valuable intel. This social encounter also gives them a destination where they can learn some more about the Azlanti: Outpost Zed.
Which brings us to part two of the adventure: Outpost Zed. In this section PCs will need to travel to Outpost Zed, a rebellious little space station on the fringes of Azlanti space, figure out where Cedona was taken, and determine a way to properly disguise their ship. This is done primarily through interacting with the locals. Of course, not all the locals are friendly or willing to talk to obvious foreigners. Other hurdles the PCs will come up against are learning how to communicate with the locals, and figuring out Outpost Zed’s societal structure. As previously mentioned, this section of the adventure is a little free-form. There’s plenty of people to talk to, a section of the spaceport to explore, some quick battles (some of which can be avoided), and the PCs can go about their socializing in any order. However, they can’t really stray outside this area or get too off track. Still, it’s fun and enjoyable. Many of the NPCs they’re destined to meet are from races the PCs know nothing about. I particularly enjoyed Glest (a nervous, shifty screedreep), Half-Red (a tiny squid-like stellifera that floats in an orb of water), Xaarb (an agressive creature who’s mostly mouth), and Talmrin (a very useful NPC who looks like a weasel-person). This section does a great job of showcasing that your PCs are obvious outsiders, which is something they’ll need to address if they want to break their friends out of prison without fighting their way through the whole place. Overall, it’s a fun, flavourful place to explore, filled with plenty of memorable social encounters. Before you move on, the PCs will need to take what they’ve learned and concoct a plan to travelling to and infiltrating the Prison Moon Gulta, for rescuing Cedona, and for escaping alive. Good luck! Haha. In all seriousness, the pieces of the puzzle the PCs need should come relatively easily, and there’s an NPC around who can help with the planning in a major way if the PCs are in need of inspiration or assistance. The actual planning shouldn’t be too hard once they’ve got their ducks in a row.
Which brings us to part three: Jailbreak. This is by far the longest and most challenging section of the adventure. As the PCs approach Gulta, the prison moon, they should already know that non-Azlanti are typically held in Cell Block J. With their destination narrowed down considerably, they’ll need to disguise their ship, approach Gulta, and dock in Cell Block J. From there it’s more free-form. Depending upon what races the PCs are they’ll need disguises to manage any kind of infiltration mission. They’ll also need a way to speak Azlanti, someone who’s decent at lying, and someone who’s handy with a computer or at engineering. Then they’ll need to explore Cell Block J without tipping off the guards or raising an alarm. Plus there’s the security cameras and patrols to worry about. PCs who choose to go in guns blazing will instead need to be quick and get the security feeds shut down as soon as possible. Either way, once the PCs manage to get Cedona free (and hopefully some other prisoners as well), they’ll need to find a way to escape with her — a job much harder than getting in. Finally, before they escape they’ll need to contend with this volume’s big bad — an Azlanti woman named Iolastrila — and the Zandamant, a prison ship that pursues the PCs as they make their escape.
This section of the adventure is incredibly well presented, but not easy for GMs to run. It lays out the entirety of Cell Block J, what security measures are in place, labels every security camera, and shows where guards are located. Every guard has a name and some information about them — all useful information for PCs attempting an infiltration. There’s also notes on what things the PCs can do to raise or lower the alertness of guards, and cause alarms to sound. It describes what changes throughout the Cell Block in such circumstances, and what the various guards do. It’s really detailed, and really well thought out. Which is incredibly important! Your PCs are going to go in there and going to make a scene. GMs will need to keep track of what cameras are in operation, who’s suspicious of them, what the various guards are doing, and so on. It’s complex, and a lot to track. But pulling off this caper — both for the PCs and the GM — is a rewarding, exciting, experience. This place is dynamic, detailed, and reacts to the PCs. It will be different for every group and I really, really enjoyed it.
By the end of this chapter the PCs will have freed Cedona, made their escape from the Prison Moon, and retreated to Outpost Zed. But their mission’s not yet complete. The PCs and Cedona know they need to get back the experimental drive from the Azlanti before its too late.
Which brings us to the end of Escape the Prison Moon! But, that’s not the end of Against the Aeon Throne, or the book. Up next, as previously mentioned, is an incredibly useful primer on the Azlanti Star Empire entitled Empire of the Aeon Throne. This eight page article provides a short history of the Azlanti Star Empire, information on the solar systems under it’s control (there’s twelve of them!), and information on their culture, and society. Finally, it’s got some new gear, including five new aeon stones, four new magitech augmentations, and two new weapons.
The second primer is entitled Citizens of the Star Empire. Also eight pages in length, this section describes a whopping nineteen races common to the Azlanti Star Empire, most of which are new. Six of these races is also given much more information and full racial traits to allow you to play these races. Playable races include the brakim, gosclaw, neskinti, screedreep, stellifera, and vilderaros. I really enjoyed all of these races, but the brakim and screedreep turned out to be my favourites. The brakim are also featured in Starfinder Society Scenario #1-27: King Xeros of Star Azlant.
The Alien Archive is up next, which is always one of my favourite sections of an Adventure Path. It contains seven new creatures, four of which are featured in the adventure itself. The creatures include: Aeon Stone Network, a CR 7 construct made from a swarm of aeon stones; Radiation Drake, a CR 9 drake; Iztheptar, a CR 6 shellfish-like humanoid that’s featured in both Escape from the Prison Moon and Starfinder Society Scenario #1-27: King Xeros of Star Azlant; Ooheo, a tiny CR 1 vermin with a long harpoon-like tongue; Paralith, a CR 4 aberration they’ll meet on Outpost Zed; Void Palm, a CR 7 gravity controlling plant; and Xaarb, an aggressive CR 5 magical beast they’ll meet on Outpost Zed.
Finally, there’s a short, one page Codex of Worlds entry on the Outpost Zed. Despite its short length, the information contained therein is useful for this adventure, and a must read for any GMs who expect their PCs to do a bit more exploring of the space port than is scripted in this adventure.
Against the Aeon Throne: Part Three: The Rune Drive Gambit is written by Larry Wilhelm and intended for level five characters. In it, the PCs head to a secret Azlanti science station in an asteroid where the experimental starship drive is being held. They’ll need to get inside, infiltrate or fight their way to the Rune Drive, and learn what the heck it is. Then they’ll need to find a way to steal it. Along the way they’ll fight Aeon Guard soldiers, rescue captive scientists, and face off against the man responsible for sending troops to Nakondis in the first place! Awesome!
EDIT: You can read our review on it here: Review: Against the Aeon Throne: The Rune Drive Gambit.
I hope you enjoyed taking an in depth look at the second volume of Against the Aeon Throne much as I did!
Last year I shared my family’s experiences creating their first Starfinder characters. We had a lot of fun making a kooky crew, and tried them out a bit before deciding they would join the Starfinder Society. There were some changes that needed to be made. Tucker was a halfling, which would have to change, but otherwise the transition went smoothly. Then we sat down and played Into the Unknown. Life got busy. We moved on to play Starfinder Scenario #1-03: Yesteryear’s Truth, which was great fun (for details check out this blog post).
But, my kids have WAY too many characters and not enough focus.
I’m a fan of creating a character and playing them through consistently right to the end. I want to play them every week. I want them to accomplish something amazing over the course of a long campaign. And when their story is done I want to know what happened to them. Did they retire? Get married? Ascend to godhood? Go insane? When their story’s complete I’m ready to make a new character and start all over again.
But, my kids? My kids love making new characters. They like hopping from story to story. But they also don’t like letting characters go. They want to play them all at the same time. There’s tons of them. An unattainable goal if I ever heard one! Haha.
In short? We rarely have time to take our Wayfinders for a spin.
The other day my daughter informed me that she wanted to create her own adventure. This isn’t the first time. She’s GMed for us before and brutally slaughtered us all. It’s partly because she doesn’t have much experience determining appropriate CRs, but it’s also because she’s incredibly lucky. Too lucky. It’s great when she’s a fellow PC but when she’s the GM? Look out! Monsters have awesome aim, enemies are so stealthy they might as well be invisible, and no opponent ever fails a saving throw. It’s not that she’s cheating! We don’t use GM screens in my house so we can all see her rolls, and I help her every step of the way. She’s just that damned lucky.
So when she said she wanted to GM something everyone groaned.
She looked so sad.
“Oh, no! She’s going to kill us again!” my son wailed.
“Be nice!” I scolded my son. Then I whispered to my husband, “She totally is…”
But, I smiled at my daughter and said, “That sounds exciting. Let’s do it.” Because it is exciting. Of course I want my kids to want to imagine, create, and GM.
So my daughter and I went to my room and peered at my bookshelf. Making a one-shot would mean everyone would create more characters, which we didn’t really have time for at the moment, so I suggested she create a mini adventure for Starfinder. Our Wayfinders were in the middle of a journey through the Drift from the radioactive planet Elytrio to Absalom Station. The timing couldn’t be better!
But, they were SFS characters… We decided to play the entire scenario off the books, using the stats for our characters but leaving our actual SFS characters entirely untouched. And while we were at it? Tucker might as well be a halfling again (in appearance).
My daughter thought about the Drift a bit, pulled down the Alien Archive, and got browsing. She stopped on creatures she took a liking to and we chatted about them, brainstorming ideas together. Some she liked and some she didn’t. She wrote down notes in her little Pokemon notebook. When she hit the end of the book she narrowed down her ideas and made some more notes and drawings. An hour later we were picking out miniatures and prepping the table. It was game time!
I started off the session by reminding everyone what we were up to. Where we’d been, where we were going, and who we were with.
Our crew consists of four Starfinder Agents that belong to the Wayfinders Faction. Hoponisa (Hops for short), is a ysoki technomancer from the dark side of Verces who loves to dance. She’s on a mission to find herself the ‘perfect mate’ and is handy both in the pilot’s chair, the engineering bay, and at a computer console. She has a robot rabbit dubbed ‘Snowball’ who is a glorified computer with some minor mobility that she crafted herself, then wrapped in fuzzy faux fur for ultimate cuddle-ability. It’s also her spell cache. Hops has been a Starfinder for a long time and is the person who recruited the rest of the crew into the Starfinder Society (before that they were mercenaries who did work for the Starfinders on a regular basis). Together, the gang travels the Vast, deploying drift beacons for credits at the behest of the Wayfinders. After discovering new planets, collecting data on their environments, and deploying drift beacons, the group prepares a report on the planet for the Wayfinders, which allows the spacefaring faction to better prepare proper Starfinder teams for further exploration on these locations.
Hops and the crew of the Pegasus Class ship, Infinity, have gone on plenty of missions together. Led by their Captain Aya, a wise, enigmatic kasatha mystic who believes that every life is precious, they’ve charted planets and discovered new places. Their roles on the starship change a lot, with the rest of the crew rotating between pilot, engineer, science officer, and gunner as the mood strikes them. Aya and Hops are joined by Tucker Aetherfoot, a ysoki (originally a halfling) operative with the daredevil speciality who’s nimble, acrobatic, and full of boundless energy. He wears a t-shirt with a shirren design on it (to represent his long-time friendship with the shirren Vishkesh), and wears a racing helmet with a rose-tinted visor and stylized mouse ears on the side (which was given to him by Hops as a birthday gift). Tucker’s insatiably curious, and runs a blog in his spare time about his experiences exploring the Vast. He’s a devout Desnan from Absalom Station, prone to dancing when he’s idle too long. …Even in the middle of a mission. Lastly, there’s Vishkesh, a shirren mechanic with a little flying spy drone named Rijin. Rijin is trained to help Vishkesh with repairing starships, and is also outfitted with a flare thrower. He’s a chipper little thing, with a bubbly artificial personality. Vishkesh has a fondness to caring for (and rescuing) larval shirren, and currently has a dozen dangling off of him in their protective canisters at all times. Vishkesh is the proud owner of a pig stuffed animal — a rare creature he’s never seen in in the flesh! He’s also from Absalom Station, and is a long time friend of Tucker’s. Vishkesh worships Hylax.
When they joined the Starfinders the crew of Infinity decided they needed a helping hand. They hired two rookies to assist them and round out their crew: Gizdara, a half-orc technomancer who’s a whiz with computers, and Diggs Drifthopper, a burly ‘rabbitfolk’ whose planet was conquered by the Vesk years ago. Diggs was forced into the military, but was recently allowed his freedom and was looking for work. He’s good with a gun, but not much else (which he can’t use in SFS play, as a non-combatant hireling, haha). Still, my daughter insisted on hiring him because he was destined to be Hops’ mate. (Uhhh… Okay? Haha). Diggs’ job is mostly to watch the ship while we’re away from it.
There’s one other person on their ship at the moment: the Membrane Ghibrani Klarima who they were bringing from her home planet of Elytrio to join the Starfinder Society. For now she was a passenger, but the group was teaching her everything they could of the universe as they travelled the Drift.
With the recap out of the way my daughter took over, explaining that we had been in the Drift for a few weeks. All of a sudden the alarm blared and there was a strange flash of red light nearing the ship. LAVA!
Wait, what? How could there be lava in space?
My daughter gleefully asked for a Computers check from our Science Officer — Vishkesh at the moment — revealing that a piece of the Elemental Plane of Fire had been torn off and stranded in the Drift (quite recently by the look of it)! We were about to do some more research on this phenomenon when there was a burst of light. Lava and powerful heat blasts from the shard of the Plane of Fire was flying at our ship! Our pilot, Hops (which I was running on behalf of my daughter since she was GMing), flew like a pro, dodging lava balls, and super heated waves of energy. But a few moments later Vishkesh identified that our air lock had been opened. Something was on the ship!
We turned for the elevator only have it DING pleasantly.
As the doors opened Captain Aya ordered Hops, Diggs, and Gizdara to remain at their posts. Gizadara took over as Science Officer while Diggs took on the role of gunner and blasted through the hunks of rock flying at our ship. Vishkesh, Rijin, Aya, and Tucker leapt to their feet — too late!
A trio of fire elementals roared off the lift and slammed into the kasathan captain — the nearest target.
“The elementals are so angry! They must be lost and confused!” my son (Vishkesh) pointed out. Unfortunately, his understanding did little to calm the creatures. The fire elementals tore into Aya and scored multiple critical hits — curse my daughter’s luck! Haha. My kashathan mystic went down before she even had a turn.
“Sorry, Mom!” my daughter said a little guiltily.
“It’s alright, baby. Aya will be fine.”
The battle continued, and wow was it a tough one! The fire elementals tore into Tucker while Aya slowly recovered on the ground with her SP. By the time she rejoined the fight her healing magic was sorely needed! Tucker was hanging on by a thread and Vishkesh was in big trouble! Not long afterwards the group rallied and took down the last of the exceptionally lucky elementals. But not before Tucker suffered some luck of his own — bad luck!
With the fire elementals defeated Vishkesh hurried to the airlock to get it locked down while Aya healed the wounds of her crew. Hops flew us out of the range of the planar anomaly and the journey returned to normal.
For a time…
Not much further away we came upon a strange group of asteroids that looked like they were all part of some kind of large complex — a metallic castle of some sort. It was clearly another broken planar shard torn from another world and deposited in the Drift by Drift Travel. Hesitantly, the group scanned the planar wreckage and detected signs of life. Not wanting to leave anyone stranded in the Drift, Aya ordered the ship to investigate the asteroids.
They flew past chunks of reddish rock, through space strewn with shards of glittering metal. Suddenly they saw a ship! It looked like a hunk of junk cobbled together from — well, junk! They turned on the comms to hail the ship only to be fired upon!
Hops sailed the ship through space, dodging meteors and make-shift torpedoes, Vishkesh boosted the ships guns, Tucker fired upon the enemy, and Aya encouraged her crew. Although the battle shouldn’t have been challenging, it was — once again my daughter’s good luck conspired to destroy us.
Suddenly Vishkesh noticed incoming projectiles from somewhere other than the ship! One of the chunks of broken castle was inhabited! They fired cannons at the Infinity. Cannons that held… goblins in weird globs of goo! The goblin bombs splattered against the hull of Infinity! Unfortunately for the goblins our ship’s shields were too tough for them to penetrate! Most splattered on impact like giant bugs! But, armed as they were with sharp implements and hacking kits, it’s likely the goblins would have attempted to breach the hull or hack into the air locks to gain entry had our shields been depleted.
Suddenly a voice crackled over the intercom. “AHA! You smart-heads are good! You foil our goo-guns good! But we goblin pirates! Goblins attack and goblins snack! Or…. goblins want to snack! We hungry! Hand over your food and we let you go!”
Aya sighed in a rare show of impatience. “All lives are precious…” It sounded like she was reminding herself of this, instead of teaching the others as was typical. “We came here to lend aid to any stranded in the Drift. Surrender, Goblin Pirates, and we will forgive your attack. We have food to spare and tools to repair your Drift Engines. …If you have any.”
The goblin pirate laughed. “AHA! We win! We no shoot and you give us food! Yes! Come! Come to our home and give us many many food!”
“…” Aya decided it was best not to argue with a goblin. “Yes. Exactly. We’re coming in for a landing.” Looking at Hops she ordered. “Hops, take us down.”
The gang flew their ship to the strange broken castle and landed — as best as they could. Floated nearby was a better description. After a space walk, Aya, Vishkesh, Tucker, and Rijin set out to meet the goblins. They were greeted by a snivelling, friendly little goblin — not the goblin pirate from before — and given a tour. The castle was hollow and without gravity except around its outer walls. Along these outside walls were small rooms that had both air and gravity — an anomaly the goblins couldn’t quite explain. Up near the broken ceiling (and any holes in the walls) there was a massive makeshift net — to prevent any goblins from accidentally drifting off into space.
On the tour the group discovered that the goblins weren’t just hungry, they were completely out of food! No wonder they had attacked!
But, the goblin had a plan. “Oh, you look so fat and not starving! Oh! Yum! Uh… Yum to your food! Not yum to you!” The goblin laughed, but Tucker was a little nervous. “We have much money to give you! Yes! Lots of shinies! Came here to steal shinies from castle, but ship broke! And shinies not good to eat! Nope! We have tried!” the goblin nodded. “Our King has shinies! You go see him and kill him and take them! And his pet! Must kill it too! Very smart it is. Smarter than King I think!” The goblin nods. “Then you take shinies and give us many many food! Yes! YES! Good plan! See?”
“Did some of you want to come with us?” Vishkesh asked.
Tucker groaned. “Oh, I don’t like that plan…”
The goblins around all cheered. “Yes! Oh, give us ride! But first take shinies! You take for food! And if you not want we take it and use it to buy more food when you get to… where you go! Me not care! Me want FOOD!”
With a sigh the group headed up to bargain with the King. “All lives are precious,” Aya reminded everyone. “This need not come to a fight.
Unfortunately, Aya was wrong. It did come down to a fight. The quartet faced off against the goblin king and his (definitely smarter than him) tashtari pet. For once my daughter’s luck didn’t trump our own and we made quick work of the angry pair. With the shinies and a ton of goblins in tow, the group reboarded the Infinity for the longest, most irritating trip they would ever endure.
Words of wisdom: Never let a pack of starving goblins on your space ship!
Our family had a lot of fun playing my daughter’s Starfinder adventure. Best of all? My daughter was happy she didn’t kill everyone. (Yay!)
Today we’re taking a look at a board game my kids recently got for their birthday: 5-Minute Dungeon! This real-time card game tasks up to five players with working together to escape a dungeon in under five minutes. Each dungeon consists of a randomized deck of cards that features obstacles, monsters, people, and events to overcome. At the end of each dungeon is a powerful boss to defeat. To beat the game you’ll need to triumph over five separate dungeons.
This game is frantic, fast-paced, and more than a little chaotic! Communication and teamwork are essential to your success. Player’s win or lose as a team. 5-Minute Dungeon is intended for players ages eight and up. Although a single dungeon takes five minutes, playing through a whole game takes about thirty to forty-five minutes, depending how many times you fail to escape a dungeon.
Players take on the role of one of ten characters by selecting a character board. Each board is colour-coded and double-sided, with one male and one female character per board. Every character board makes use of one of five matching decks, and every character has their own unique ability which can be triggered by discarding three cards from your hand. That means that up to five people can play at a time.
Characters include the blue sorceress and wizard, green huntress and ranger, purple ninja and thief, red barbarian and gladiator, and yellow paladin and valkyrie. Most of the special abilities of these characters fall into two types: those that help get someone in your group extra cards and those that automatically defeat a certain category of card. There’s also the wizard’s unique ability to stop time. We found that it was very helpful to play with the wizard and a character who can help the group draw cards, with the rest of the players taking on abilities that can auto-defeat either monsters, obstacles, or people. Once you’ve got your character picked out you place the matching deck on their board.
Next you set up the dungeon. Start by selecting a boss. There are five to choose from and each is numbered 1 though 5. You simply start at Boss #1: Baby Barbarian and work your way up to Boss #5: Dungeon Master. Each boss also has a number of cards written on it. Baby Barbarian has 20, The Grime Reaper has 25, Zola the Gorgon has 30, and so on. This is the number of dungeon cards you’ll randomly select and place on the boss board. Then you’ll pick out two challenge cards per player and shuffle them into the deck of dungeon cards. This is the boss’s dungeon. You simply place the deck of cards into the space marked with the dotted line and you’re ready to begin.
Player’s begin by drawing a number of cards. This number is variable and determined by how many people are playing the game. Chances are you’ll start with three or four cards. Then you start the five minute timer, flip over the first card in the dungeon deck, and get adventuring!
This game doesn’t come with a physical timer. Instead there’s a timer app you can download on your phone, tablet, and other handheld device. It’s a quick download and easy to use. You simply select a voice for the announcer (I love the ‘fearful’ voice, but my daughter’s a fan of ‘spiteful’) and click start. Sometimes you’ll need to pause the game (such as with the wizard’s ‘time stop’ ability) in which case you simply push pause. If you defeat the dungeon you click ‘We Won,’ if you lose you click ‘We Lost’ and if you run out of time you don’t need to click a thing. It’s an enjoyable, humorous little timer app and my kids really like it.
Boss #1: Baby Barbarian. He takes two swords, two arrows, and three dash to defeat, and his dungeon contains twenty cards.
Baby Barbarian and an example of Challenge and Dungeon Cards
There are four major categories of dungeon cards: event, person, monster, and obstacle. Events are the simplest to resolve. They each have a sentence explaining what you need to do, you do it, then you move on to the next card. Examples of events are ‘Sudden Illness’ which forces every player to discard their hand, or ‘Trap Door’ which forces all players to discard three cards. The rest of the cards — monster, obstacle, and person — have circular symbols on them. These symbols match the cards that you must play to defeat them. These cards can be played in any order and by any player. There are no turns. As soon as all the needed cards are played you have defeated the card, it gets moved to the discard pile, and you flip over the next dungeon card. Once all of the dungeon cards are defeated you will see the symbols needed to defeat the Boss.
This makes gameplay fast and chaotic, with players slapping down cards, shouting out what they’re playing, and calling out what’s still needed to defeat the card. It’s the sort of game where everyone feels a sense of urgency and excitement, and get’s a thrill of triumph when a card is defeated.
So what the heck are all these symbols?
There are five major symbols in the game, which are colour coded. These same symbols are seen across all the boss cards and all character decks. Called ‘Resources’ they include the red sword, yellow shield, green arrow, blue scroll, and purple jumping person (which my family always calls ‘sprint’ or ‘dash’ but is probably called ‘leap’). Every deck will have cards of these five types, although they will have them in different combinations. The red barbarian/gladiator deck will have a lot of red swords, for example, while the blue sorceress/wizard deck will have a lot of blue scrolls. In addition to these single symbol cards there’s double symbol cards — cards that have two red swords, two blue scrolls, and so on. These are seen in much lower quantities than the single symbol cards, and not every deck will have them in every kind. While the sorceress/wizard deck may have a few double scroll cards, the huntress/ranger deck won’t. One of the decks — the red barbarian/gladiator has special double symbol cards which consist of a red sword and a second other symbol.
The rest of the cards found in the character decks are black bordered and have a special ability written on them. The most common are abilities that let you auto-defeat a certain category of dungeon card. ‘Fireball’ defeats a monster, ‘Backstab’ defeats a person, and ‘Mighty Leap’ defeats an obstacle. These are super useful cards which can be found throughout all of the different coloured decks in differing quantities. While the sorceress/wizard has a lot of ‘Fireballs’ the ninja/thief has more ‘Mighty Leap’ and ‘Backstab’ cards. Finally, every colour deck has some unique black bordered ability cards. ‘Enrage’ from the red barbarian/gladiator deck lets you choose two players who may draw three cards each. ‘Divine Shield’ from the yellow paladin/valkyrie deck pauses time until someone plays a card and lets every player draw one card. ‘Magic Bomb’ from the blue sorceress/wizard deck counts as one of each type of resource. My personal favourite card? ‘Heal’ which lets you select a player who can put their entire discard pile back on top of their draw pile. Awesome!
As mentioned, every deck is different but equally useful. You’ll soon discover which play style you prefer and find a favourite, so I highly recommend trying each deck out. I love the yellow paladin/valkyrie deck best — particularly when played with the valkyrie character who can help her fellow players draw cards. The yellow deck has a lot of different healing cards, which I find can be incredibly helpful. My son, on the other hand, prefers the to play as the blue wizard. He’s a huge fan of the wizard’s ‘Time Stop’ ability — which is so helpful I’d go as far as to call it a necessity. He also loves the ‘Magic Bomb’ card which can only be found in the blue deck. Finally, my daughter prefers to play as the green huntress — solely because she loves the art. To each their own, I guess. Haha.
With all the decks in their places, cards in hand, and the timer started, play can begin. There’s a few other rules you need to know, but not many. Whenever you have less cards than your opening hand consisted of you can immediately draw cards to fill your hand back up to maximum. Discard piles do not get shuffled back into the draw pile once the draw pile is empty. This means that if your deck ever runs out you can no longer draw cards — unless someone plays a card that gives you cards from your discard pile or something similar.
Winning will take teamwork, speed, and luck. If you win you reshuffle your decks, select your character (you do not need to keep the same character throughout all the dungeons), set your boards back up, and build the dungeon for the next Boss. When everything’s ready you begin play again. If you defeat all five dungeons you win the game.
If you ever fail to defeat a dungeon you’re supposed to reset, going all the way back to the Baby Barbarian and his dungeon again, but my family didn’t like this rule. Instead we just replayed the dungeon we were on.
We’ve played this game quite a few times. Sometimes we finish it all the way through, and sometimes we only play a round or two. My kids and I really like it. They enjoy the teamwork aspect, and that they can always be playing. There’s no waiting for your turn or getting beat on by your friends. It’s fun and fast. It’s not a game for everyone, though. My husband doesn’t really like it. He’s a fan of strategic, complex games. Chances are whatever game we’re playing he’s going to be that player taking the longest turns. Unsurprisingly, the chaotic, real-time gameplay of 5-Minute Dungeon is not to his tastes. It’s also not the kind of game you can play anywhere. Players are going to get loud. Although you could bring to a party, family gathering, or friend’s house, it’s not the sort of thing you’re going to bring to play at the library, local coffee shop, laundromat, or airport. Finally, it’s not the sort of game you want to let the kids play late at night. Mine get antsy, excited, and leap and jump around. Not really a relaxing, winding-down sort of game.
The board after my kids and I defeated the final boss!
All in all, we really liked 5-Minute Dungeon — especially my son. It’s fast paced, easy to learn, and enjoyable. My only complaints? I wish the boss cards were double sided so you could choose which of the two to face off against and I wish there were more dungeon and challenge cards included in the game so the dungeons felt more varied. But, I suppose wanting more of a game isn’t much of a complaint. More like a wish list. Haha. 5-Minute Dungeon is a pretty easy game to find that currently retails for around $30 Canadian. Our copy belongs to my eight-year old son, and made an excellent gift. He loves it.
Today we’re taking an in depth look at the first book in the Tyrant’s Grasp Adventure Path! This survival horror campaign pits the players against the return of the Whispering Tyrant, the lich-king Tar-Baphon, who was defeated and sealed away long ago. Tyrant’s Grasp will be the final Pathfinder 1st Edition Adventure Path released, before the switch is made over to Pathfinder 2nd Edition in August. Intended to take characters from levels 1 to 17, Tyrant’s Grasp is six volumes long.
A wonderful Player’s Guide for Tyrant’s Grasp is available as a free download on Paizo’s website here. The Player’s Guide gives players a relatively spoiler-free way to properly prepare for and integrate their characters into the Tyrant’s Grasp Adventure Path. I highly recommend checking it out!
The Tyrant’s Grasp Adventure Path begins with Pathfinder Adventure Path: The Dead Roads (Tyrant’s Grasp 1 of 6). Written by Ron Lundeen, The Dead Roads is an adventure intended for first level characters, which should bring PCs up to level five by its conclusion. This adventure begins when the PCs awaken already defeated in the Boneyard, a land where the dead go to be judged. There’s just one problem… They’re not quite dead. Trapped inside a tomb that doesn’t belong to them, they’ll need to escape, figure out what happened to them, and find a way to return home. But, how could one possibly escape the land of the dead?
Let me start by saying that The Dead Roads — and the Tyrant’s Grasp Adventure Path — is not for everyone. Terrible tragedies will occur, and you won’t always be able to prevent them. These events are bound to have a lasting effect on your characters, so players should be prepared to consider and role-play the marks left by the trials you face. Often you’ll be in dire situations with limited resources, so players will need to be resourceful to survive. Plenty of the imagery and events in this adventure are dark, morbid, and sorrowful. It’s definitely a horror campaign — though not your typical horror. It’s suspenseful survival horror, with a good deal of body horror in the first book, as well. The Dead Roads contains imagery that is inappropriate for children and some adult gamers will even consider an image or two disturbing. It’s definitely not a campaign I could play with my family.
That said, I loved The Dead Roads. Absolutely, positively, adored it.
For starters, it looks great. From cover to cover it’s a wonderful, high quality book filled with nice maps, and beautiful, dark artwork. The cover depicts Mictena (a catrina psychopomp the PCs are destined to interact with) in the foreground. Behind her is an image of Seelah (the Iconic paladin) and Yoon (the iconic kineticist) battling ostovites. Both images are by Igor Grechanyi. There’s a lovely map of The Gravelands (Lastwall and parts of Ustalav) on the inside cover. There’s a ton of artwork throughout the book — of enemies, allies, and characters who could become either. I particularly enjoyed the art for Prince Uspid and Mictena. Colulus was the most disconcerting image in the book. If any image is going to bug a squeamish player it’ll be that one. There’s a few characters that I wish had art but don’t (which is expected! Art’s not cheap and there’s only so much space!). Ayuki, in particular, would have been nice to see, as well as the jitterbone creature in the bestiary. The maps, all drawn by Matthias Rothenaicher, are really nice. They look great, of course, but they’re also well thought out, executed, and each has a unique feel to it. I particularly enjoyed ‘Roslar’s Tomb’ and ‘Deathbower.’ I wish that the maps of the various Dead Roads locations were given a bit more space, though. Squishing three multi-floor maps for three different locations onto one page is good for page count, but makes some of the maps difficult to read. Part of the eastern end of the ‘Palace of Teeth’ is nearly lost in the creases of the binding, while the entrance to ‘Salishara’s Scriptorium’ is hidden in the creases. If both of those maps were a few grid squares further to the left that would have been less of a problem. Finally, flipping back and forth between the map page and the various locations depicted in it (which is spread out over 28 pages) is a bit irritating. Have a bookmark or post-it note handy and try not to tear your pages. Much to my surprise there was also two player handouts which represent puzzles the group comes across. I’m really glad they’re depicted instead of just described. They’re necessary and a really nice touch.
The Dead Roads starts with a bang (HA!) and doesn’t let up. The entire opening has the feel of an ominous, suspenseful mystery. Your PCs don’t know where they are, how they got there, or what’s going on. Their locations hide clues to both their situation and the history of wider events, which the PCs may or may not be able to uncover. In time they will discover the answers to some of their questions, just as they realize it’s tied to an even bigger mystery.
There’s a lot of wonderful social encounters and NPCs in this adventure. Number Three, Barple Stonebreaker, Prince Uspid, Queen Carnassial, Kishokish and his portrait, Ayuki, Salighara, Berthold, the wyrwoods, Mrs. Pedipalp, Aydie, Reedreaper, Mictena — there’s just so many great interactions in this adventure! Among them, three particularly stand out amongst the crowd: interacting with the townsfolk of Roslar’s Coffer is poignant and amazing; speaking with Barzahk the Passage; and — my personal favourite characters — Umble and Thoot! This pair of friendly psychopomps are the best!
Umble and Thoot
Many of the creatures and NPCs you come across don’t look friendly — which doesn’t mean they aren’t friendly. Of course, it doesn’t mean they are friendly, either. Which I love! Appearances have no bearing on what a creature acts like and I appreciate that this adventure used that so effectively. It’s bound to throw players for a bit of a loop and make them feel… off-kilter. Which is great!
There’s a lot of challenging encounters in this adventure and plenty of unique monsters to face off against. I particularly enjoyed that so many can end in ways other than violence. But, don’t let that last sentence lull you into a false sense of security! There’s a lot of combat encounters in this book that cannot be avoided.
And the ending! Oh, the ending! I love it! I cannot wait to get my hands on the next book in this Adventure Path! I have a feeling Eulogy for Roslar’s Coffer is going to be just as good.
And now it’s time for a warning:
We’ve got more to say about this adventure, but it’ll come with spoilers! Don’t want to read them? Skip on past this next section until you see the large words ‘SPOILERS OVER.’ Got it? Good! See you on the other side where we’ll talk about the extra content in this book!
The Dead Roads adventure is split into four major parts: Awake in Roslar’s Tomb, Among the Dead, Walking the Dead Roads, and Deathbower. One of these parts Walking the Dead Roads is particularly dense and is made up of three major locations: The Palace of Teeth, Nine-Eaves, and Salighara’s Scriptorium. All told The Dead Roads adventure is 52 pages in length with six pages afterwards dedicated to three NPCs: Mictena, Mrs. Pedipalp, and Reedreaper. All three of these are enemies the PCs will come across, but only one of them has to stay that way. The PCs have a chance to convince the other two to step aside without violence (although it’s extremely hard to accomplish for one of those two!).
Through this adventure the PCs will get to interact with psychopomps, a type of outsider native to the Boneyard who work to ensure that the processing of souls is done accurately and efficiently. Typically functioning as guides for the souls of the deceased, the psychopomps are confused over what to do about the mysterious PCs. Some will help them along their way (especially the delightful Umble and Thoot!) , and others with hinder them — particularly Mictena, a catrina psychopomp obsessed with putting the PCs spirits properly to rest. Through a good thorough death, of course! Psychopomps aren’t the only enemies and NPCs the players will interact with. The Boneyard is a huge realm, and there’s plenty of creatures living/stranded/invading there. Other major groups of enemies include fey, vermin, sakhil, and nightmarish beings from the Dimension of Dreams.
Fittingly, The Dead Roads begins with death. Lots of it. The entire town of Roslar’s Coffer has been destroyed in one terrifying instant. Including the PCs. I’ll leave the details out of this article, but suffice to say this will have a lasting effect on your players and their characters. Any family, friends, and companions — pets included — that lived in Roslar’s Coffer are dead. Although it might be tempting to warn some players about this in advance, that also will ruin some of the surprise and likely result in players purposely making no personal connections to the town of Roslar’s Coffer — which would be a mistake in my opinion. Every GM will need to judge their players accordingly, and perhaps provide them with some hints and warnings while they build their characters and backstories. In my opinion this event is handled incredibly well throughout this adventure, and I highly recommend allowing players to make a character with personal connections to Roslar’s Coffer. It adds so much to the story. However, it is important to inform PCs that if they have animal companions, mounts, or they are a wizard with a familiar, they will not have access to their pet at the start of the campaign. Player’s who have read the Tyrant’s Grasp Player’s Guide will already be aware of this, although they won’t (accurately) know why.
Happily, the player’s experience doesn’t begin with the death of Roslar’s Coffer. Instead, Part One: Awake in Roslar’s Tomb begins with the PCs waking up in a stone coffin. Literally entombed they need to push their way out of the stone box and into a cold, dark, mausoleum. It’s a great opening. Players and characters alike are bound to be curious what has happened and where they are. Players begin with any gear they had that could reasonably fit in a coffin with them. Any familiars who share a soul with your PCs (a shaman or witch familiar) will be in a coffin of their own, while all other companions are not present (as they are dead). Eidolons and phantoms can be summoned back normally, although all other familiars and companions will need to be replaced at a later time.
Soon, the PCs will discover they’re in someone else’s tomb — Ervin Roslar, Knight of Ozem and hero of the Shining Crusade. The same man that Roslar’s Coffer is named after, in fact. Interesting! As they navigate the tomb they’ll find strange creatures, animated bones (sort of…), a trapped spirit, and a tribe of mites. They’ll also discover that Ervin Roslar may have had a few secrets of his own, although it’s unlikely they’ll unravel his history completely. This section of the adventure is a suspenseful series of explorations, mysteries, tantalizing clues, and challenging combats. It’s going to be a ton of fun to both run and play.
Part Two: Among the Dead begins when the PCs exit Roslar’s Tomb to find themselves face to face with a pair of spooky looking (and absolutely delightful) psychopomps: Umble and Thoot! Seriously, they’re awesome. This quirky pair give the PCs some answers to their most pressing questions and explains that not only are the PCs dead and not dead at the same time — weird! — the rest of Roslar’s Coffer is well and truly dead. They ask the PCs to lend them a hand in convincing the spirits of the dead of Roslar’s Coffer that they are, in fact, dead. These poor fellows need a hand moving everyone on to the afterlife in a calm and orderly fashion! The PCs get to travel to a phantom version of Roslar’s Coffer where they interact with all the people in town — now dead. This is an amazing section of the adventure. Short and poignant, the GM has a chance to show the PCs what has happened to all their family and friends. They’ll need to convince loved ones to move on, and will have a chance to say goodbye. If they have any pets they’ll find them here as well. The adventure itself provides rules for interacting with these spirits, how to convince them to move on, and some tactics that will let them do it in a timely fashion — namely convincing the town leaders of their death. Some PCs will want to stay behind and die along with their family, others won’t have personal connections to the townsfolk, and others still will want to ‘save’ some of these spirits and attempt to return them back to life. There’s plenty of guidance in this book for handling PCs of every kind. After accepting their death the people of Roslar’s Coffer — even familial loved ones — want answers for what happened to them. The PCs are uniquely positioned to uncover this. And, of course, any spirits who can’t be convinced to move on (including those your PCs may want to bring back) will deteriorate in time until they become undead ghosts and other malevolent entities. Umble and Thoot can explain this to the group and ensure no PCs attempt anything so foolhardy. Also in this section the PCs are first introduced to the antagonist of this adventure, Mictena. Overall, this section of the book is among my very favourites. It’s exceptionally well handled and sure to be an emotional experience for players and characters alike. It’s a truly unique roleplaying opportunity. I’m not an overly emotional person, but I’m quite certain that if I was playing this with any character who had even a modest amount of family or friends in Roslar’s Coffer, under an even remotely talented GM, I would cry — in a good way! It has the potential to really tug at the heartstrings.
Part Three: Walking the Dead Roads begins after the PCs have helped the people of Roslar’s Coffer accept their death. Umble and Thoot, who are grateful and believe that since the PCs are only slightly dead they’re not truly dead at all, offer the PCs a way out of the Boneyard. The Dead Roads. They explain that this secret path is only ever trod by psychopomps and gatekeepers, the beings who watch over what amounts to traveller’s checkpoints along the road. Capable of leading anywhere, the PCs can use the Dead Roads to get home to Roslar’s Coffer (so they can figure out what’s happened) by taking a certain path. They’ll need to stop at the three checkpoints along the way and get stamped by that location’s master. Convincing them to grant the stamp should be the hardest part of the journey. Unbeknownst to Umble and Thoot, politics and turmoil have overtaken the three waystations, making each location more dangerous than expected. These locations may be visited in any order, although they are presented in order of difficulty (which is also how I recommend playing them).
The Palace of Teeth is a small castle ruled over Queen Carnassial and her court of tooth fairies. Not long ago her son, Prince Uspid, led a coup against her, and the two factions have been locked in a stalemate ever since. Although Queen Carnassial is the only one with the authority to stamp the PCs (at least until her death) it’s Prince Uspid the PCs are destined to meet first. They’ll need to navigate, bargain, and battle their way through bickering fey factions. They might even get to keep all their teeth…. This location is simultaneously goofy in a crazed sort of way and disconcerting. Although the Palace of Teeth was once a beautiful castle it’s undergone a rather morbid makeover since the fey moved in. The place is creepy and it’s denizens literally want to yank your teeth out. That can make bargaining… weird. Haha. I love the art for both the tooth fairy monarchs (particularly Prince Uspid!) and the stained glass angel. But, in my opinion, the creepiest encounter involves a pair of soulbound dolls in the midst of acting out a rather bloody play about dentistry. They attempt to make the PCs their next patients, using deep slumber and some particularly creepy statements. It’s awesome! Haha. The Palace of Teeth is my favourite location on in part three.
Nine-Eaves is a three storey manor owned by an old shoki psychopomp with a fondness for games and puzzles. Unfortunately, Kishokish’s manor has been invaded by sahkil and he’s now a prisoner in his own home. They PCs will need to free him if they want to get his stamp. Luckily they’re not without allies. An animated portrait created to pose riddles to visitors can lend the PCs a hand — if they can solve his puzzles! There are three puzzles total, and each one solved can earn the PCs information and advice. They’ll need to traverse the house as they seek answers, battling vermin, sahkil, and an unfettered phantom named Ayuki. I really enjoyed the puzzle aspects of this location.
Salighara’s Scriptorium was created by Salighara, a reclusive viduus psychopomp who is studying the Dimension of Dreams and oversees a crew of wyrwood scribes. Mictena attempted to convince Salighara to kill the PCs on her behalf, but was rebuffed. Mictena then offered the same deal to Salighara’s assistant, a plump woman named Mrs. Pedipalp (actually an aranea from a nightmarish section of the Dimension of Dreams). Happy to take the powerful psychopomp up on her offer, Mrs. Pedipalp has ousted Salighara from her own scriptorium and remade the building in her own image. Now a dark place of nightmares and horror, the PCs will need to set things right. This is definitely the most horror-themed location in The Dead Roads, with traps, haunts, and horrifying enemies. Colulus, a flayed ettercap and long-time minion of Mrs. Pedipalp is by far the most horrifying. But, even the Scriptorium is not without potential allies. PCs get to meet Salighara, some upset wyrwoods, and a ratling named Berthold. Mrs. Pedipalp herself is a great opponent — a capable liar, powerful spellcaster, and nightmarish foe all wrapped up in a kindly looking package. I particularly like her tactics. That said, it’s likely Colulus who will give parties the most trouble.
After receiving their stamps the PCs can finally traverse the rest of the Dead Roads and return to the land of the living — not! Mictena refuses to let them go! She magically relocated her domain, Deathbower, right onto the Dead Roads so that she and her dangerous shabti gardeners can kill your PCs properly. Which brings us to the final section of the Dead Roads adventure, Part Four: Deathbower. I love this location and its map. I love the inhabitants — gardeners, friends, and foes. And I love Mictena herself. Despite being an enemy of your PCs she’s not a bad being. She’s a psychopomp just doing what she thinks is right. Which is cool! Although some of the hazards and enemies in this glorious garden must be confronted head on, some characters can be swayed and may even join you for a while. Reedreaper is a particularly interesting character, although it’s unlikely he sticks around long enough to play much of a role. Even Mictena can be talked down — theoretically. The chances your PCs will be able to roll high enough are incredibly slim, but it could happen. Which I really like.
After leaving Deathbower behind the PCs find themselves back on the Dead Roads and greeted by an incredibly powerful psychopomp, Barzahk the Passage, a demigod and master of the Dead Roads. This enigmatic figure whisks the PCs off to their home in a matter of moments, giving them a bit of time to ask him any questions they might have. I thought this was a great moment and a wonderful way to end the adventure.
In addition to The Dead Roads adventure, this volume contains two articles intended for both GMs and players, one article solely for the GM, a campaign outline, and a bestiary containing five new creatures.
The first article, Tools of the Boneyard, is written by Matt Morris. In it you’ll find new gear and character options aimed at dealing with the dead. There is one alchemical remedy, one alchemical tool, and two alchemical weapons — bone burn is my favourite, so be sure to check it out! There are two new special materials useful for crafting — cryptstone can be used for ammunition and weapons, while spiresteel can be used for ammunition, weapons, and armour. Finally, there are five new magic items: crypt rod, grim helm, harbinger’s scythe, Lady’s Mercy, and Momument’s Truth. Although I enjoyed a lot of the items, it’s the character options that I found were most exciting. Graveslinger is a gunslinger archetype that specializes in combatting incorporeal undead. Soul Shepherd is a monk archetype that calm incorporeal undead and haunts with a touch. They also gain some otherworldly resistances and interesting ways to use their ki. Reaper is a new oracle mystery which I really enjoyed. Tightly themed and flavourful it’s capable of both killing the living and destroying undead. There are also six new barbarian rage powers including the psychopomp totem powers.
The second player friendly article is written by Mikhail Rekun and entitled The Half-Dead. This section talks about four races that have a strong connection to death and the undead. In addition to providing details and character options for dhampir, duskwalkers, and shabti, it also talks about the new subtype of creatures, mortics. Dhampir appear alongside two magical items, duswalkers have access to five new feats, and shabti have access to five new feats. I was particularly excited to see shabti included.
The next article, To Exceed Their Grasp, is written by Crystal Frasier and intended for GMs only. This article discusses some of the important concepts, characters, and events of the Tyrant’s Grasp Adventure Path and the role they play in the overarching story. It also contains a timeline. This is incredibly useful for GMs an will likely be referenced throughout the entire Adventure Path.
The Bestiary is up next! It contains a random encounter chart, two interesting social encounters, and five new creatures written by Ron Lundeen, Kyle T. Raes, and Mike Welham. All of the monsters in this book have ties to death and the Boneyard and two of them are featured in The Dead Roads adventure. Bonewrought Willow is an ominous looking intelligent plant capable of growing in Boneyard. Attracted to light and more benevolent than it appears this is a great CR 3 creature I can’t wait to confront my players with. Kaicherak are nasty little fanged worm beasts with ties to Achaekek and a fondness for messily gorging themselves on blood. At CR 4 they are among the most powerful new creatures in the bestiary. Mortics are living beings with strong connections to negative energy which makes them sort of like living undead. There are two mortic stat blocks included in the bestiary — the ghoulish elf-like angheuvore (CR 2) and the incredibly flexible halfling-like jitterbone (CR 4). As previously mentioned, more information on mortics is also included in The Half-Dead article. The final creature is the tooth fairy monarch, a CR 3 version of the lowly tooth fairy.
The last article is a campaign outline, written by Crystal Frasier and Ron Lundeen, that briefly details the events of the upcoming volumes of the Tyrant’s Grasp Adventure Path. Not the sort of thing you want your players peeking at! The campaign outline is incredibly useful for GMs.